毕摩绘画

第三，对彝族图腾文化中毕摩绘画的文化内涵的分析。

Third , the cultural connotation of the Yi totem culture Bimo paintings .

其次，对彝族毕摩绘画中的龙、鸟、火和虎图腾崇拜的研究。

Secondly , the Bimo painting the dragon , birds , fire and the tiger totem worship .

第四，对论文的总结，提出了对毕摩绘画的传承和保护的方法，并对彝族毕摩绘画有待深入的研究进行探讨。

Fourth , a summary of the papers presented on the Bimo painting heritage and protection and Bimo painting to be in-depth studies to explore .

云南彝族毕摩绘画是属于一种本土的宗教绘画，跟彝族的图腾崇拜、英雄崇拜、自然崇拜等有着密切的关系。

Yi Nationality the Bimo painting is a local religious painting , with Yi totem worship , hero worship , nature worship , have a close relationship .

对哨冲乡莫测甸、慕善村的实地调研，运用了专家访问法、田野调研法、对比分析法等对云南彝族毕摩绘画艺术进行了一次较详细的梳理。

Mu Shin Estate , the use of experts to visit the art of painting , field research method , and comparative analysis of Yi People in Yunnan a more detailed comb .

首先，以云南彝族图腾文化中的毕摩绘画为主要的研究对象，对彝族图腾文化和毕摩绘画的关系进行论述，并对毕摩绘画的题材、工具材料、色彩以及载体的概述。

Totem culture of the Yi Nationality in Bimo painting as the main object of study , discussed the relationship between the Yi totem culture and painting Bimo and Bimo painting themes , tools , materials , color and vector overview .