文人画家

中国文人画家与文化产业

Chinese Literati Painters and Cultural Industry

从元代花鸟画中看文人画家两种意识的觉醒及其意义

Two Consciousnesses Awakening and their Significance of Literati Painters in Yuan Dynasty Flower and Bird Paintings

《西园雅集》&文人画家的理想家园

Western Garden > & the ideal garden for the literati and painters

齐白石从民间画工转变为文人画家，经过了“变法”。

Qi Baishi had gone through dramatic changes to become a learned painter .

晚明文人画家杨文骢考略

Textual Research in Yang Wencong , a Literati Painter in Late Ming Dynasty

书画艺术创作与市场经济的碰撞&当代中国文人画家解读

Impaction of market economy on creation of calligraphy and painting & about Chinese modern literati painter

淡泊对文人画家来说既是人生境界又是审美境界；

Lightness , for literary painters , is not only the realm of life but aesthetics ;

而且，这种重折枝的风气到了文人画家那里，便被发扬光大了。

Moreover , such culture of place emphasis on Folds among literati painters has been carried forward .

第四章是评述赵孟頫作为文人画家的艺术态度。

In the fourth section , as a literal painter , Zhao 's attitude toward art is discussed .

文人画家通过酣畅淋漓的笔墨、夸张意象的造型、自由成趣的自然来表达自己强烈的主观感情。

Literati painters use vivid ink , exaggerated modeling and simple natural scene to express their strong subjective feelings .

尤其是文人画家，一肚皮不合时宜，在山水画中寄托了隐逸超欲的思想，所以山水画的境界成了中国画家人格之最完美的反映。

The worlds created in landscape paintings are thus a perfect mirror for the spiritual being of Chinese artists .

文人画家求真体道的的人生观，宣纸的使用，使得画家过于注重绘画语言本身的成就。

Longhair artist paid more attention on the achievement of the painting language on rice paper to experience the " Tao " .

并初探性的和文人画家的异同，这是论文的新颖点和难点所在。

And the nature of similarities and differences between artists and writers , this is the paper where the new point and difficult .

而这种民族特色，和中国五千年的文化息息相关的，中国出现了很多文人画家。

And the national characteristics , and five thousand years of Chinese culture are closely related , China has produced many scholars painter .

禅对文人画家的审美情趣，艺术思维方式以及对画中朦胧含蓄之意境的传达等都产生了深刻影响，本文便是围绕着这几方面展开论述的。

Zen Buddhism has brought deep impact to scholar artists on their aesthetic temperament , thinking mode and the transmission of the implicitness .

所以其以形式的优美、内涵的丰富成为历代画家，特别是文人画家的情结。

And so the images of the fishermen with their beautiful forms and rich intensions were deeply loved by painters , especially literati painters .

文人画家以主观意念为创作动力，写意必然成为文人画家独特的表现形式。

The literati officialdom has subjective thoughts for creative dynamics , which are bound to become the literati officialdom with unique form of expression .

特别值得一提的是，华西从一名民间画工变成一名诗书画三绝的职业文人画家，令人倍增敬意。

In particular , Hua Yan from a folk into a poem calligraphy and painting for the occupation of literati painters , a multiplier .

倪瓒直接发挥文人画家所提倡的审美功能观，并且在前人的基础上进一步指出绘画具有自娱的功能。

In painting function , Ni Zan directly advocated concept of aesthetic functional of the literati painting , and further drawing " self-entertainment " function .

最后提出文人画家关注自然的现实意义以及积极性。

At last , it point out the operation significance and the enthusiasm that made the Drawing of Scholar paid their attention to the nature .

以他为首的文人画家以一种独特的艺术语言彰显了中国绘画的艺术价值及丰富的审美趣味。

He led the literati painters in a unique language of art , Chinese painting shows the artistic value and aesthetic interest Implication of the rich .

从画家们自身情况及相互关系看，多为文人画家，数量稀少，交流贫乏，导致山西难以有画派出现。

Mostly literati painters from the painters and the relationship between number of rare , communicate poorly . So lead to Shanxi difficult painting school appeared .

明代园林画并不是简单的清风朗月、小桥流水的园林山水景观的再现，而是文人画家市隐心态的流露。

The garden painting during Ming dynasty not only reproduced the garden and landscape but also the outpouring of the idea of reclusion of the painter .

在异族统治充满阶级统治下的元代，元代文人画家大部分走上了归隐的道路。

In the Yuan dynasty under foreign rule is full of class , most of the literati painters of the Yuan dynasty embarked on the road to retirement .

传统的中国水墨画，很大程度上是文人画家对于笔墨的运用，可谓把笔用到了极高的境界，令后人无法企及。

The traditional Chinese ink painting , largely literati painters for the ink used , is the pen uses a very high level , so that future generations can not match .

由于受道家等传统哲学观念的影响，文人画家对心与艺的自由性的绝对追求具有现代性；

Because of the influence of ' Taoist school idea ', Chinese traditional literator painters in absolute pursuit of feeling and art possessed modernity . Pen and ink have strong nationality .

墨作为中国画的载体，使中国文人画家找到了抒情达意、畅神写意的本质要素。

China ink as a Chinese painting of a black material carrier , the Chinese literati painters found a lyrical and expressive words , the essence of smooth elements of a decent God .

这些新的山水创作不仅突出了地域景观特色，而且表现出文人画家们在蒙古人的统治下，努力显示自己的家庭财富及文化优势的鲜明个性。

These newly created works broke with the earlier conventions of landscape painting and enabled literati artists working under Mongol rule to depict the distinct individuality of their family wealth and cultural superiority .

然而，自苏轼开始的文人画家在极力追求气韵生动的同时，弱化了其它五法，使得六法这一审美体系出现了欠缺。

However , since Su shi literati painter to try to pursue the " lively " at the same time , to weaken the other five method , makes the " six " appeared lack aesthetic system .

它们既与十七世纪朝代更换有关，也与康熙新政之后徽州意识的重建有关，当然，也与遗民以及士绅、文人画家的身份、际遇、选择有关。

They are both related to the changes of the dynasties happened in the 17 ~ ( th ) century and to the reestablishment of ' Huizhou Consciousness ' after the New Deal promoted by the Emperor Kangxi .