托古改制

中国绘画美学史上的托古改制与误读

The " Reform Under the Cover of Antiquity " and " Misinterpretation " in Chinese Painting Aesthetics History

孔子托古改制，不仅为中国立法，而且为世界立法。

The " institutional reform " of Confucius legislate not only for China but also for the world .

托古改制作为一种中国传统的改革思维模式，存在于中国的历史之中，成为了中国传统政治文化的一部分。

As a china traditional mode of thinking on reform , the reform according to ancient tradition became a part of China traditional political culture in the history .

然后通过对戊戌变法这一托古改制的典型案例的多方面介绍，从而来分析在托古改制思维模式下的改革中托古改制被采用的动因与价值。

Then through explain the Hundred Days Reform which is the typical of the reform according to ancient tradition , that to analyzes the motives and values of it in the reformation .

王莽在全国范围内推行“托古改制”的新政：他下令天下农田改称“王田”，奴婢改称“私属”，禁止买卖；

Wang Mang pushed forward new policies and carried a series of reforms , hoping to retrieve the glory of Han by adopting policies described in the Confucian classics . He decreed that farmland be renamed as " royal land " " ， slaves " private belongings "

通过对托古改制宏观和微观的双重介绍分析，可以总结出托古改制在历史发展过程中的正负双重影响，进而给我们今天的马克思主义中国化带来启示与灵感。

And through the dual description of macro and micro analysis of the reform according to ancient tradition , we can summarized that its double impact of positive and negative in the process of historical development , and then bring enlightenment and inspiration to the Chinese Marxism .