屠隆

屠隆对七子派格调理论的发展和突破

Tu Long 's Development and Breakthrough in the Theory of Style by " Seven-Scholar School "

本文认为屠隆对佛道的开始用心，最早是在青浦为官时期。

This thesis explores that Tu Long started devoting himself to Buddhism and Taoism during the period that he was an official in Qingpu .

在这个转变过程中，屠隆借助佛道的资源，通过对佛道修行解脱的追寻，以获得心态的平衡。

During his changing period , he took use of the resources of Buddhism and Taoism to get a balance by pursuing Buddhism and Taoism relief .

这缘于屠隆对女性真实境遇的冷静观察：自由与幸福并未为当时的女性敞开大门。于是，宗教的修持是他为女性设想的一个乌托邦避世之所，借由剧中人物予以表达。

It 's depended on his observe of the female 's destinies , and the religious was the Utopia he building for the women who deserved sympathy in his drama work .

属于七子派成员末五子之一的屠隆在诗歌评价标准、重视创作主体性、提倡诗歌风格多样性等方面，对七子派格调理论作了重大的发展和突破。

And Tu Long , as a minor member of the " seven-scholar school ", made a big breakthrough both in the criteria of criticism and in the subjectivity and diversity of poetic composition .

中晚明布衣诗人是明代诗坛上一个十分引入注目的诗人群体，他们的群体成员众多，诗歌作品数量庞大，晚明屠隆首次提出了诗在布衣的观点。

In the Middle-late Ming dynasty , plebeian-poet-group is a very conspicuous poets group which has a huge numbers of works and members . Tu Long firstly proposed " poetry in plebeian poet " in late Ming dynasty .

屠隆对三教关系也有自己的看法，最初他强调三教合一，认为三教有各自的特点和应用领域，他们本于一源，是天道之体的不同化用。

Tu Long had his own opinion about the relationship . At first , he laid stress on the syncretism of the three religions . He thought the three religions owned theirs features and should be applied into different parts .