宗教造像

本文认为传统的泉州木偶头雕刻继承了唐朝中原河洛地区雍容饱满的宗教造像样式，长期寄生于神像铺子，所以呈现出雍容丰腴的雕塑风格。

This disquisition emphasizes that traditional Quanzhou puppet sculpture looks full and elegant , because it has inherited the graceful full religion statue pattern , which come from luoyang Henan area of Central Plains in Tang Dynasty , and pertain to joss shop for a long-term .

无论怎么探讨汉地佛教和道教造像的宗教性，造像都将作为民族造型艺术的一种而存在。

No matter how the Han Buddhism and Taoism of religious statues were studied , statues exist and are used as a national form of art .

北朝是我国的民族大融合时期，艺术领域出现了许多新面貌，其表现之一就是宗教艺术呈现出一派繁荣的景象，各地宗教造像艺术蔚然成风。

The Northern Dynasties of China , the times of national integration , brought out a lot changes to arts . The religious arts , particularly statue arts , were in a boom at that time .