天才论

艺术与天才论是康德主体性美学思想在艺术创造领域的自然延伸。

Kant 's theories about art and genius are the natural extension of his subjectivity thought in the field of art creation .

2勤奋加天才论的古罗马时期，只有勤奋没有天才不行，只有天才没有勤奋也归无用；

Ancient Roman period of diligent-and-talented theory in which it was no use if one was only diligent with no talent and so was it when one was only talented with no diligence .

人性论是其古典主义文学观的核心，常态的人性和人生经验是他坚持的客观的古典主义文学批评标准；天才论是其对人性中智力、能力因素存在显著差异的近于唯心的阐释。

Theory of human nature is the centre of his classicism views of literature , nomal humanity and life experiences are the objective criticism standard of his classicism views of literature ; theory of talent is his somewhat platonic interpretation about factors of reason and ability existing distinct differences .

钢琴与诗人的天才融会：论对肖邦钢琴作品的理解图式概念最早由Bartlett于1932年提出。

Frederic Chopin : A Great Pianist and Poet The concept of Schema Theory dates back to Sir Frederic Bartlett in his most significant and influential work Remembering ( 1932 ) .

康德从主体论美学出发，把艺术作品规定为天才的作品，从而形成了他的天才论的艺术观。

Started from subjective aesthetics , Kant stipulated work of art as the work of genius , thus it formed his genius art view .