古玺

古玺文字量化研究及相关问题

Quantitative Studies of Ancient Seal Characters

本文拟从这一角度，探索古玺形式美的发展过程及其时代特征。

This paper from this perspective , exploring the development of formal beauty of the ancient seal of the times .

经历先秦印和流派印两个高峰后，古玺创作进入近现代阶段。

Pre experienced two peaks in India and Indian schools , the creation of ancient seals into the modern stage .

战国古玺文字造型和印面构成丰富多变，因此在篆刻风格中最具形式美。

Ancient Seals and the printed text form constitutes a rich and varied surface , so the carving style of the most formal beauty .

吉语玺不但是战国古玺等古文字资料的重要组成部分，而且还是重要的历史文献资料；它不但具有座右铭、警示牌的功能，还可以反映出古人修身养性、趋吉避祸等思想。

Jiyu Seal , a kind of ancient seal with blessing Chinese characters carved on it , is an important component of ancient Chinese characters , and it also serves as important historic documents .

清代吴式芬《双虞壶斋印谱》中首次标明古玺并排列卷首，自此翻开了古玺创作研究的新篇章。

Qing Fen Wu-style " double-Yu Yin Pu vegetarian pot " for the first time that " the ancient seal " and arrangement of frontispiece , from Ancient Seals opened a new chapter of Creation .

本文所论的古玺形式美，主要指古玺印面的形式构成美，对形制、外型等外在形式美则不做过多涉及。

This paper on the formal beauty of the ancient seal , mainly referring to the ancient seals in the form of surface constitutes the United States , on the shape , appearance is not too much to outside formal beauty involved .

创作观念的变化，古文字研究的积累，使得古玺创作大放异彩，名家倍出。

Creative concept changes , accumulation of the study of ancient text , making the creation of ancient seals shine , famous times out .

清代著名古文字学家吴大澄一生潜心治学，发展了古文字考释方法，在先秦货币文字、古玺文字、古陶文字以及金文的考释方面均有建树。

He developed the method of explaining Chinese ancient characters , and achieved great success in explaining the ancient characters in coins , seals , potteries and bronzes .