华彩乐段

圆号撕声力竭地咆哮，企图以自己的声音传达华彩乐段的动机。

The horns howl into the fray , trying in their own turn to convey one of the cadenza 's motives .

小提琴手有用双倍停顿及和弦来精彩地演奏华彩乐段的技能。

The violinist had the technical skill to execute the cadenza , with its double stops and harmonics , with brilliance .

他们都包括了长而展开的华彩乐段，第一乐章的华彩乐段几乎占据了第一乐章的整个后半部分。

They both contain long and developed cadenzas with the first movement 's cadenza alone taking up almost the entire last half of the movement .

本文选择了古典主义音乐的代表人物、音乐神童&莫扎特的五首小提琴协奏曲作为研究对象，并对其不同版本的华彩乐段进行分析。

This paper studies five pieces of violin concertos of Mozart , a genius representative of classical music , and analyses different cadenzas of different versions .

一个华彩乐段应该保持在作品的风格范围内，它应该像一个总结、一个收场白，但是要有一个小小的闪现：喔唷！

A cadenza should not break away from the style of the work , it should be like a summing up , an epilogue , but with a little touch of Whoops !