中国话剧

中国话剧产生于20世纪初，是中国戏剧的一个特殊分支。

As a special branch of Chinese theater art , Modern Chinese Drama was formed in the early 20th century .

通过对三十年代曹禺与左翼戏剧关系的梳理、分析，有利于我们有整体的联系的眼光看待文学现象，从而能更清晰地把握三十年代中国话剧的发展流变。

By analyzing the correlation between Cao Yu 's drama and leftist drama , we can obtain the eyesight to view the literary phenomena as a whole , and can grasp the development of modern Chinese drama in the 1930 's more clearly .

论中国话剧悲剧意识的时代语境

The Era Language Situation of Tragedy Consciousness in Chinese Modern Drama

但是对于中国话剧的翻译也如同其他形式的文学翻译一样，存在这样那样的问题。

There also exist some problems in Chinese spoken drama translation .

他反对中国话剧艺术长期形成的封闭狭隘的传统戏剧意识，确立了开放而宽容的自觉进行戏剧自身建设的现代戏剧意识。

He opposed traditional drama consciousness , established modern drama consciousness .

比较视野中的1930-1940年代中国话剧研究

Study on the 1930-1940 Era of Chinese Drama by Comparative Perspective

陈大悲对中国话剧发展的贡献

CHEN Da-bei 's Contribution to the Development of Chinese Drama

话剧百年：从中国话剧到世界华语话剧

A Centenary History of Chinese Spoken Drama in China and the World

第二单元：《大时代：中国话剧的挑战与机遇？》。

Panel Discussion : A big time for Chinese Theatre ?

吴祖光的话剧是中国话剧民族化过程中的成功探索。

It is the successful probe of the nationalization of China drama .

融汇贯通：话剧与戏曲的艺术整合&论新时期中国话剧的发展趋势

On the Trend of the Ch in ese New Period Spoken Drama

今年，正值中国话剧百年。

2007 , on the occasion of a hundred years of chinese drama .

老舍剧作的精品意识与中国话剧事业的振兴

The Quality-oriented Spirit in Lao She 's Works and the Retrieval of Chinese Drama

中国话剧民营戏剧的发展？

Panel Discussion : China Drama-Starving or Thriving ?

论中国话剧与民族戏曲传统

Chinese Drama and the Tradition of National Operas

20世纪30年代，精神分析学与中国话剧艺术发生了广泛而深入的联系，直接影响并加速了中国话剧的成熟。

In 1930s , the extensive relation is constructed between Psychoanalysis and Chinese modern drama .

基督教传播与中国话剧的文化关系探析（1907-1945）

Research about the Culture Interaction between Christianity Communication and Chinese Modern Drama ( 1907-1945 )

中国话剧的黄金时代

Golden Period of the Chinese Stage Play

当代中国话剧及其文学的回顾与前瞻

Retrospection and Prospects of Contemporary Chinese Drama

一百年间，中国话剧从无到有，从浅到深，从稚嫩走向成熟。

One hundred years , from Chinese drama , from shallow to deep , from naivety maturity .

论中国话剧现代性的生成机制&以演剧职业化运动为支点的考察

On the Formation of Modernity of Chinese Drama & In the Perspective of the Professional Performance Movement

中国话剧艺术经过高行健的探索已很难再简单地称为话剧。

After the efforts of Gao Xingjian , it is very hard to call Chinese drama language art .

中国话剧初期创作笼罩着一种浓厚的悲剧意识。

The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness .

中国话剧的拓荒者

Chinese Drama of Pioneer

随着中国话剧的不断发展，音乐已成为这门艺术中不可缺少的一个重要组成部分。

With the continuous development of Chinese drama , music art has become an indispensable and important part in the dramatic Arts .

在美学原则、结构技巧、人物形象、语言形式等方面对中国话剧起到启蒙作用。

In the aesthetic principles , structure , skills , characters , language , form and other aspects of Chinese drama played enlightenment .

《茶馆》这一话剧不论是在语言特色上还是在其取得的艺术成就上，都是中国话剧史的里程碑。

Teahouse is a milestone in the history of Chinese spoken drama , both in its language characteristics and its great artistic achievements .

其前期话剧标志着中国话剧发展的成熟，这在中国话剧史上具有里程碑意义。

His drama in early period marks the maturity of Chinese drama , which is a milestone in the history of Chinese drama .

另一方面，作为一种从异域引进的新形式，中国话剧又一使命便是民族化。

On the other hand , as a new performing art introduced from different region , nationalization is another mission of Chinese drama performance .

探索剧在叙事模式上的创新改变了中国话剧的表现形态，使当代剧坛增添了许多活力，在中国话剧史上留下了精彩的一笔。

The explorative dramas transformed their narrative pattern , which changed the visage of the Chinese drama , and added much vigor to it .