油纸伞

撑着油纸伞，独自

Alone holding an oil-paper umbrella ,

这就是油纸伞下寻常巷陌的生活。

Such is the life of ordinary people under oil paper umbrellas .

每当下雨的时侯，她就会拿出她的油纸伞。

When it rained , she could take out her oiled-paper umbrella .

制作油纸伞需要耐心和细心。

Making an oil-paper umbrella takes patience and care .

放在长条椅上的油纸伞还散着新鲜桐油的香气。

The umbrellas on the long chair still smelt of fresh tung oil .

“看你家做的油纸伞”。

To see your oil paper umbrellas .

在当时，油纸伞不但用于日常生活中，同时还出口到日本去。

At that time , oil-paper umbrellas were used in daily life and also exported to Japan .

分水的油纸伞泡在水中一周，或在雨中长期使用，也不会损坏。

Dipping in water for a week or long exposure in rain doesn 't make any damage to Fenshui Oilpaper Umbrella .

对客家人来说，油纸伞是结婚礼物，可用来祝福新人有多子多孙的好运道。

For Hakka people , oil-paper umbrellas are given as wedding gifts to wish the couple good luck in having many children .

一天，报纸上登了分水油纸伞的消息，说他老毕“华丽转身”。

One day , a newspaper carried a story about Fenshui oil paper umbrella , saying that Old Bi was having a turn of fortune .

自古油纸伞下演绎了多少经典爱情故事，油纸伞成了恩爱、浪漫代名词；

Oiled paper umbrella since ancient times , the number of interpretations of classic love story , love has become Oiled paper umbrella , romantic pronoun ;

实用性强：我们的油纸伞均可做雨具使用，这是目前国内其它油纸伞厂无法达到的工艺秘诀。

Fourthly , strong practicability ; our products can be used to keep the rain off , which cannot be reached by other enterprises of oilpaper umbrella in China .

本文将分水油纸伞的物象形态和它的艺术内涵联系起来，避免纯形式主义的解读或纯文化中心主义的阐述。

This paper links the physical image shape of watershed Oilpaper umbrella and its artistic content to avoid a purely formalistic analysis or description of a pure culture of centrism .

油纸伞文化历史悠久，内涵丰富，寓意美好吉祥，自古深受人们喜爱：“油纸”与“有子”谐音；

Oiled paper umbrella culture has a long history , rich , beautiful auspicious meaning , has always been very popular : " Oil-Paper " and " son " homophonic ;

撑着油纸伞，独自彷徨在悠长，悠长又寂寥的雨巷，我希望飘过一个丁香一样的结着愁怨的姑娘。

Alone holding an oil-paper umbrella , I wander along a long Solitary lane in the rain , Hoping to pass A girl like a bouquet of lilacs Gnawed by anxiety and resentment .

由于种种原因，迄今为止对分水油纸伞的研究相对薄弱，尚未形成较为完整的理论体系，亦未能全面、深入地揭示其丰富的文化内涵和审美特质。

For various reasons , up to date the study of watershed Oilpaper umbrella is relatively weak , has not yet formed a more complete theoretical system , or fully and deeply revealing its rich cultural connotation and aesthetic qualities .