黄梅调电影
黄梅调电影-
本篇文章是采用汤玛斯？兹的电影类型理论来检验黄梅调电影。
This essay employs Thomas Schatz 's genre theory to examine the Huangmei Opera film genre .
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邵氏黄梅调电影不仅对中国/华语电影的类型发展做出了巨大贡献，在世界电影的类型发展上也具有重大的意义。
Shaw 's Huangmei Opera movies contribute a lot for the development of Chinese movies categories , and is significant during the development of world movies categories .
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本篇文章是采用作者论方法学去分析黄梅调电影类型最重要的导演－李翰祥的电影美学。
This essay applies the auteur approach to analyze the cinematic aesthetics of Huangmei Opera films of Li Han Hsiang , the most important director of the Huangmei Opera film genre .