饕餮纹

tāo tiè wén
  • taotie design
饕餮纹饕餮纹
饕餮纹[tāo tiè wén]
  1. 第五部分从符号学的维度探讨饕餮纹的符号意义,最后一部分是结论。

    Part five discusses the semiotic significance of TaoTie design from the dimension of semiotics . The last part is the conclusion .

  2. 青铜器饕餮纹研究述评

    An Evaluative Description of Study on the Taotie Motif on Bronzes

  3. 浅探商周青铜器饕餮纹图像

    On Gulosity Picture on Bronze in Shang Dynasty and Zhou Dynasty

  4. 试论青铜器饕餮纹的狞厉美

    On Ferocious Beauty of the Animal Lines on Bronze Ware

  5. 商周青铜器饕餮纹的图式与功能

    The Patterns and Functions of Glutton Veins on Bronze Ware of Shang and Zhou Dynasties

  6. 由于“名”与“实”的矛盾,饕餮纹的原型及其寓意问题一直困惑着学界。

    The questions of taotie pattern 's prototype and implied meaning keep puzzling the academic field because of the contradiction between its'name'and'fact ' .

  7. 商周青铜器饕餮纹,是中国青铜时代最引人入胜的课题之一。

    Taotie pattern on the bronze wares in the Shang and Zhou Dynasties is one of the most attractive topic in Chinese bronze-ware time .

  8. 饕餮纹和龙纹是商周时期青铜器装饰艺术的两大主要题材。

    The T ' ao-t ' ieh and Dragon are the period of the Shang and Zhou bronze decorative arts of the two main themes .

  9. 其次,提出饕餮纹是为商周祭祀活动所服务的,其特有的祭祀性和表现手法等对其它动物纹饰的影响。

    Secondly , the T ' ao-t ' ieh services for the Shang and Zhou festival , its unique ritual and performance practices of other animal ornamentation .

  10. 认为饕餮纹蕴含了商周奴隶制社会丰富的人文、社会信息,同时其图形表现出符号学意义和有效信息传递路径值得我们思考。

    Taotie implies the humanity , social information of the slavery society of Shang and Zhou , while the graphics show us the semiotic significance and transfer path of effective information .

  11. 以商周青铜器上的饕餮纹为研究对象,阐述了这种图像的历史渊源,图案待征,其中涵含的文化与历史发展的关系。

    Taking the gulosity picture on bronze as the study object , the article expounds the origin and characteristics of this kind of picture and the relation between culture and history it contained .

  12. 饕餮纹是存在于上古社会环境中的一种视觉符号,现代人对它产生了狞厉的视觉感受,这种视觉感受不能作为解释饕餮纹文化涵义的依据。

    Glutton motive is a symbol in ancient times , and modern people think it is ferocious , but the cultural meaning of glutton motive can not be explained under this visual feeling .

  13. 前言部分包括学术界关于商周时期青铜器上的饕餮纹和龙纹的研究现状、本文的选题意义,研究方法和创新点。

    Preamble , including academia , research status of T ' ao-t ' ieh and dragons of the bronzes of Shang and Zhou dynasties , the significance of the topic of this article , research methods and innovation .

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