电影史学

所谓的电影史学与电影史学史并不是一项单纯记录电影历史与电影史学发展过程的机械劳动，它们是建构在电影学与历史学基础上的交叉学科。

Film history and film historiography is more than simple mechanical labor that records the development process of film history and film historiography . Instead , it is an interdisciplinary based on filmology and history .

本文共分七章，在研究的过程中，力图为早期中国电影史学建构一个纵横交错的历史框架，使其置身于完整的时间链条与交织的时代、社会网络之中。

The purpose of the research was to build a criss-cross historical structure for the studies of early Chinese films , so as to put these studies in a complete time period and an interlaced social network .

其中，第一层的准备有二个：一是对历史学相关学科理论的消化与吸收，二是相应建立中国电影史学史学科理论。

There are two points in the first preparation : one is the digestion and absorption of history and related disciplines , the other is the establishment of the disciplinary theory of history of Chinese film historiography .

第七章从历史文献、民族电影史学与电影史写作三个角度出发，探索了早期中国电影史学史的历史地位与现实意义。

It was explored in Chapter Seven the role that the history of early Chinese film historiography played in history and its practical significance from three perspectives , that is , historical documents , film culture and the historiography of national films .

本文研究虚拟现实科幻电影叙事是从电影的形态史学角度出发，关注虚拟现实电影在历史发展过程中与现实社会、文化传统之间所构成的联系。

In this thesis , the narrative research in sci-fi films themed around the concept of VR is generated from the history of cinematic morphology and thus concerns the relationship between these films and the realist society or the cultural tradition in the process of history .