楚辞九歌
![楚辞九歌](../cache/1440794.jpg)
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从《诗经·周颂》与《楚辞·九歌》祭祀诗的祭祀对象看南北文化的差异
The Difference between the Cultual of North and South in the Sacrificial Offering Poem of Shijing · Zhousong and Chuci · jiuge
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关于《九歌》之名,来源甚古,传世的就有“中原九歌”、“神话《九歌》”、“民间《九歌》”和“楚辞《九歌》”。
It had many well-known names , such as Central Plains Nine Songs , Mythological Nine songs , Folk Nine Songs and Chu-ci Poems Nine Songs .
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文章拟从《诗经.周颂》与《楚辞.九歌》祭祀诗祭祀对象的不同,来看南北文化的差异。
The article looks through the cultural difference of north and south from Shijing · Zhousong and Chuci · Jiugethe sacrificial offering poem sacrificial offering object difference .
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《楚辞。九歌》保存着古代楚地民风民俗和民间传说的一些素材和影子,这正是楚文化研究的价值所在。
Jiu-ge of Chu-ci Poems contains some fodders and miniatures of the folk ways , costumes and folklores , which are the right research value of Chu culture .
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荆楚歌谣有其显明的地域文化特色,主要表现为:巫觋文化的变异色彩、《楚辞.九歌》的流风余韵及其尚情的柔性品格。
There are obvious regional culture characteristics in Jingchu ballad , its main characterization is the Witch Xi culture , it becomes heterochromatic color , " the Songs of the South nine song ", flow wind lingering musics and yet flexible character of feeling .
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它秉承楚辞的语音、语调和独特的音乐思维逻辑而有一些变化,但仍不失《楚辞.九歌》的韵味。
There are some changes to the inherit pronunciation , intonation and unique music thinking logics , " the Songs of the South 9 song " appeals yet .