楚辞九歌

从《诗经·周颂》与《楚辞·九歌》祭祀诗的祭祀对象看南北文化的差异

The Difference between the Cultual of North and South in the Sacrificial Offering Poem of Shijing · Zhousong and Chuci · jiuge

关于《九歌》之名，来源甚古，传世的就有“中原九歌”、“神话《九歌》”、“民间《九歌》”和“楚辞《九歌》”。

It had many well-known names , such as Central Plains Nine Songs , Mythological Nine songs , Folk Nine Songs and Chu-ci Poems Nine Songs .

文章拟从《诗经.周颂》与《楚辞.九歌》祭祀诗祭祀对象的不同，来看南北文化的差异。

The article looks through the cultural difference of north and south from Shijing · Zhousong and Chuci · Jiugethe sacrificial offering poem sacrificial offering object difference .

《楚辞。九歌》保存着古代楚地民风民俗和民间传说的一些素材和影子，这正是楚文化研究的价值所在。

Jiu-ge of Chu-ci Poems contains some fodders and miniatures of the folk ways , costumes and folklores , which are the right research value of Chu culture .

荆楚歌谣有其显明的地域文化特色，主要表现为：巫觋文化的变异色彩、《楚辞.九歌》的流风余韵及其尚情的柔性品格。

There are obvious regional culture characteristics in Jingchu ballad , its main characterization is the Witch Xi culture , it becomes heterochromatic color , " the Songs of the South nine song ", flow wind lingering musics and yet flexible character of feeling .

它秉承楚辞的语音、语调和独特的音乐思维逻辑而有一些变化，但仍不失《楚辞.九歌》的韵味。

There are some changes to the inherit pronunciation , intonation and unique music thinking logics , " the Songs of the South 9 song " appeals yet .