林泉高致

第四部分主要阐述《林泉高致》中有关移情的美学思想。

The Forth part elaborates mainly " empathy " in aesthetics thought .

关于《林泉高致》中三远的文化思索

Cultural Reflection of ' Three Perspectives ' in Lin Quan Gao Zhi

他的绘画风格和画论《林泉高致》对中国古代绘画和美学思想研究具有很高的学术价值。

His painting style and the Painting theoretical works " Lin Quan Gao Zhi " has a high academic value on Chinese Painting history .

第三部分主要阐述《林泉高致》中林泉之心的美学思想，认为林泉之心深受道家思想影响，并具有自调节审美的性质。

The Third part mainly elaborate " the heart of Lin Quan " aesthetics thought , which is influenced by Taoism , and has the nature of " self-accommodation " .

另外，按时间顺序结合时代背景和绘画作品，探讨《林泉高致》境界理论对宋元山水画的影响。

In addition , discussed the impact of " Realm " on Lin Quan Gao Zhi , for the Song and Yuan landscape paintings , in chronological order with the background and paintings .

元画对写意精神的推崇和客观山水形态的表现性写实的矛盾统一，正深深体现了林泉高致在元画中被真正阐发。

The contradictory unification of the advocating of the freehand brushwork spirit and the realistic representation has deeply embodied the real exertion of the trees and waterfalls higher in the mountains in the Yuan paintings .

从狭义来说，本文以《林泉高致》为主要研究对象，从艺术作品的内在审美结构见出郭熙山水画创作的全貌。

From the narrow sense , " Lin Quan Gao Zhi " is the main object of the thesis , from the aesthetic structure of the inner works of art of Guo Xi Landscape Painting to appreciate the whole painting .