斯卡拉蒂

以K.380为例小议斯卡拉蒂键盘奏鸣曲的演奏风格

Keyboard Designing Talking About the Performance Style of Scarlatti 's Sonatas

斯卡拉蒂奏鸣曲在手风琴演奏中的风格及技巧探究

Scarlatti Sonatas ' Accordion Performance Styles and Its Skills Study

D.斯卡拉蒂奏鸣曲中的即兴性风格研究

Study on the style of Vamp in Sonata of D.Scarlatti

第三章：和声风格研究，这是表现斯卡拉蒂奏鸣曲风格的非常重要的内容。

Chapter III : " Harmony Style Research " .

斯卡拉蒂和肖邦都受到过猫的启示。

Both Scarlatti and Chopin were inspired by cats .

其中还提到了音乐治疗法与斯卡拉蒂奏鸣曲的关系。

Also mentioned the relationship of the music therapy and Scarlatti 's sonatas .

斯卡拉蒂回答：“我承诺。”

Scarlatti responds ," I so promise . "

这是表现巴赫与斯卡拉蒂音乐风格非常重要的内容。

This is a performance of Bach and Scarlatti music style is very important content .

本文重点研究斯卡拉蒂键盘奏鸣曲创作的年代顺序和它的成对性，以及奏鸣曲的结构、风格特点等问题。

The paper mainly studies the chronology and pairing in the keyboard works of Domenico Scarlatti as well as their structure , style and characteristics .

他是最好记住他的12格罗西协奏曲后，斯卡拉蒂和他的音乐表达的论文，第一次音乐评论英文出版。

He is best remembered for his12 Concerti Grossi after Scarlatti and his Essay on Musical Expression , the first music criticism published in English .

斯卡拉蒂一生中作有555着键盘奏鸣曲，其体裁范围涉及之广，可谓是欧洲巴罗克音乐体裁的大宝库。

Mr. Scarlatti composed 555 keyboard sonatas which have been called a great treasure in European Baroque 's styles owing to the variety of styles .

一个教士问斯卡拉蒂，他是否愿意改变他的生活，甚至吃喝拉撒都与众不同。

A priest asks Scarlatti if he is willing to change his life , even to the point of eating , drinking , and sleeping as a different man .

第二章：整体风格特征研究，主要对斯卡拉蒂的整体风格特征进行研究，为其分类，追溯风格可能的来源及总结风格的特点。

The style characters of Scarlatti involving the classifications , possible sources etc are studied in this chapter . According his holistic style of music composition is mainly described ;

第五章：键盘演奏的革新与炫技性风格，这是斯卡拉蒂在键盘音乐创作中，对后世有深远影响的重要风格特征。

This is a profound style feature that has an important impact on future generations in keyboard music ; Chapter VI : " The Free Dynamics of the Structure " .

斯卡拉蒂的后人们对他音乐手稿的丢失不太在意，但他们一代又一代都非常谨慎地保留着斯卡拉蒂的骑士记载。

Scarlatti 's descendants will later allow all of his musical manuscripts to disappear , but from generation to generation , they will jealously preserve the records of his knighthood .

本文从创作的角度来分析斯卡拉蒂的技术特色和作品风格，并进一步说明斯卡拉蒂的典雅风格与技术创新的意义及其影响。

From the angle of creation this essay analyzes Domenico Scarlatti 's technique characteristics and his composition style and expounds the significance and influence of his elegant style and his technique innovation .

第四章：即兴性特征研究，这是斯卡拉蒂最具特色的手法，为他音乐的发展带来了新的动力。

Vamp composition , the most unique approach of Scarlatti , brings a new impetus on his music development ; Chapter V : " Innovative and Virtuosity Style of Keyboard Playing " .

从进一步的询问可以确信，斯卡拉蒂得到了他妻子的赞同，可以确信斯卡拉蒂没有任何形式的亵渎神灵、犯罪的过失，还可以确信他的血统没有被摩尔人玷污。

Further questioning determines that Scarlatti has obtained his wife 's consent , is guilty of no form of sacrilege or crime , and that his ancestry is free of Moorish taint .

斯卡拉蒂于1729年随玛利亚·巴巴拉公主远嫁奥地利王储，后又迁至西班牙，在马德里度过了一生中最后二十八年。

In 1729 , Scarlatti accompanied Princess Maria Barbara to Austria who married the Austrian crown prince , then moved to Spain and spent the last 28 years of his life in Madrid .

多梅尼科·斯卡拉蒂（1685&1757）是巴罗克时代伟大的作曲家、羽管键琴演奏家和教育家，与巴赫、亨德尔一起并称为巴罗克三杰。

Domenico Scarlatti ( 1685-1757 ) was a great composers , harpsichord performer and educator in the Baroque Era . The Three Masters in Baroque Era were Bach , Handel and Domenico Scarlatti .

手风琴在我国是一件大众化的乐器，特别是随着自由低音手风琴的引入与逐渐普及，斯卡拉蒂奏鸣曲的独特魅力正在被越来越多的手风琴爱好者发现并且接受。

Accordion is a very popular instrument in china , especially with the entrance and its popularization of the new structure accordion , Scarlatti sonatas ' unique charm is gradually found and accepted by the fans of accordion .

第六章：结构的自由动态性，重点探讨斯卡拉蒂对结构的内部、外部及在组织内部所采取的动态性试验，反映他自由、幻想性的风格。

This chapter stresses on " the dynamic tests " of internal and external structures , and the internal organization , to express his free and illusive style ; Chapter VII : " Musical form structure research " .

第二部分通过研究斯卡拉蒂作品中的特殊语汇与后世作曲家美学倾向间的内在联系，阐释文化生命延续以及我们今天的创作中对人生探寻的意义所在。

In the second part , by studying the inner relationship between the special terms in Scarlatti 's works and later composers ' aesthetic inclination , the author explains the significance of the continuation of cultural life and the searching of life in our today 's creation .