布袋戏

  • 网络glove puppetry;puppet show
布袋戏布袋戏
  1. 李天禄是台湾布袋戏史最负盛名的人物。

    The most famous figure in the history of Taiwanese glove puppetry was Lee Tien-Lu .

  2. 但是好消息是我们仍然有布袋戏表演。

    But the good news is we 're still gonna have a puppet show .

  3. 受本地传统布袋戏启发,台湾有着独特的Cosplay风格。

    Taiwan has its own unique cosplay style , inspired by the island 's traditional puppet shows .

  4. 你怎么能忘记和布袋戏艺人确认呢?

    How could you forget to confirm with the puppet people ?

  5. 恐怕今天布袋戏艺人不能来表演了。

    I 'm afraid the puppet people won 't be performing today .

  6. 南派布袋戏的主要价值与意义

    The Great Value and Significance of South Hand Puppet Plays

  7. 孩子们为布袋戏艺人激动不已。

    The kids are so excited about the puppet people .

  8. 然而,我也疯狂于霹雳布袋戏。

    However , I am also crazy about Pili Hand Puppet Shows .

  9. 你得再跟布袋戏艺人确认的。

    You 've gotta confirm the puppet people .

  10. 布袋戏艺人不来了。

    The puppet people aren 't coming .

  11. 布袋戏所用人偶的身体为中空,头部为实心木头雕刻而成。

    Figures used by puppetry were hollow body , the heads were carved out of solid wood .

  12. 本研究采用量化调查,探讨参与布袋戏社团的大学生,其自我概念与偶像认同之差异与相关情形。

    The present study uses questionnaires to analyze the differences and correlations between idolization and self-evaluation of undergraduate students .

  13. 演布袋戏的人欣赏或演木偶或牵线木偶的人突然间,木偶笑了起来。

    One who entertains with and operates puppets or marionettes . Suddenly , the puppet 's head began to laugh .

  14. 研究结果显示从观赏霹雳布袋戏中,可以发现学生的自我概念与偶像认同的差异情形。

    The research results reveal that the differences of student in self-concept and idolization can be found from watching Pili-puppet drama .

  15. 布袋戏又称作布掌中戏,是一种起源于17世纪中国福建泉州或漳州;

    Glove puppet show also called palmar puppet show , which is originated from Quanzhou or Zhangzhou , Fujian province in China in17th .

  16. 事实上,如果台湾的布袋戏像日本漫画和卡通一样成为国际间最受欢迎的宠儿是一点都不奇怪的事。

    In fact , it won 't be surprising if Taiwan 's Budaixi becomes an international favorite like Japanese comics and cartoons have .

  17. 首先通过考察霹雳布袋戏的艺术形态,将其归为偶动画中的一种,并总结了其艺术特点。

    First , through the research of the art formation of PiLi Drama , these dissertation summaries its art features and classifies it into puppet animation .

  18. 而正因为早期此类型演出的戏偶偶身极像“用布料所做的袋子”,因此有了布袋戏之通称。

    Because of the bodies of the earlier puppets look like " the bag made by drapery ", so now it is generally called glove puppet show .

  19. 本文从独具闽南特色的地方音乐出发,阐述了闽南音乐如高甲戏、芗剧(歌仔戏)、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。

    Taking local music with South Fujian characteristics as starting point , the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia .

  20. 但是不管怎样,可以确定的是布袋戏发明与泉州傀儡戏文化息息相关,是无可争议的事情。

    However one could make sure that the invention and development of hand-puppet theater was vitally related with the history of the Quanzhou City it is a beyond dispute affair .

  21. 从一个侧面可以看出布袋戏戏台的艺术发展规律,布袋戏戏台的形制结构受到布袋戏表演形式的限制,布袋戏戏台与布袋戏表演方式是相互促进、互为依存的关系。

    From this , a law can be drawn the forms and structures of Budai Puppet Show stages are restricted by the performing forms and both of them are inter-promotional and interdependent .

  22. 程文福说,对当今许多成年人来说,经典布袋戏中的许多角色曾是他们童年时的伙伴和英雄,扮演其中某个角色就像梦想成真一样。

    For many adults nowadays , Mr. Cheng said , characters from classical puppet shows were their childhood companions and heroes , and to transform into one of them ' is a fantasy come true . '

  23. 最后以儒家文化的扬弃为例,探讨了霹雳布袋戏的文化内涵,指出其正面意义和消极影响。

    In the end , the dissertation shows the cultural implications of PiLi Drama by the example of the appreciation and discard of the Confucian culture and points out the positive and negtive influence of PiLi Drama .

  24. 在中国当代动画审美的视觉表现形式中,以木偶造型为特色的成功的动画作品并不多,以布袋戏出现的形式更是少之又少。

    Nowadays , among the various visual patterns of expression of animation aesthetics in contemporary China , there exist a few successful animation works characterized by puppet figures , let alone those works characterized by sock puppet art .

  25. 布袋戏是一种历史悠久的地方戏剧,流行于我国闽南和台湾一带,又名掌中戏,意为表演者通过双手控制木偶来完成所有表演。

    Bu Dai Xi , also named Puppet Show , means that actors complete the performance by the controlling of the puppets with their hands . It is a regional drama which is popular in the southern Fujian and Taiwan .

  26. 布袋戏之于闽南、台湾,是民间艺术喜闻乐见、不可或缺的文化形式,布袋戏是木偶戏艺术中分支中的一种。

    The puppet show come from Taiwan and the South Fujian , IT is Early indispensable Cultural form forms of folk art is the culture of love to see and hear . The Puppet show is a branch of the folk art of puppetry .

  27. 结合传统布袋戏演出与现代影视技术的霹雳布袋戏,通过创新和改革,综合了布袋戏的古朴和影视技术的绚丽,成为一种充满奇幻色彩的偶动画。

    With the combination of the traditional Bu Dai Xi performance and the modern film technique , PiLi Drama , through innovation and reform , boasts both the feature of Bu Dai Xi and that of modern film technique and becomes a fantastic puppet animation .

  28. 结论从音乐人类学视角出发,阐明漳州布袋木偶戏艺术研究的学术意义和价值成果。

    In conclusion , the author points out both the academic significance and the valuable fruits of the study of Zhangzhou puppetry in the view of musical anthropology .

  29. 正文从梳理漳州布袋木偶戏偶雕、表演、音乐、舞美的艺术风格入手,探究其北派源流。

    It first explores the origin of northern-style glove puppetry by giving an account of the artistic style of Zhangzhou puppet carvings , performances , music and stage designs .

  30. 布袋木偶戏戏台设计艺术是布袋戏艺术的分支艺术,应与布袋木偶戏表演艺术一样受到重视。

    The art of designing stages for Budai Puppet Show is a branch of Budai Puppet Show art , to which as much importance as the show art itself should be attached .