劳动号子

láo dònɡ hào zi
  • work song;holler
劳动号子劳动号子
  1. 最初起源于水手的有节奏的劳动号子。

    A rhythmical work song originally sung by sailors .

  2. 劳动号子,是一种直接伴随着劳动进行歌唱的民间歌曲。它产生于劳动,并直接为劳动服务,有着强烈的生活气息,音乐性格粗犷豪迈、坚定有力。

    The work song , is one kind is following the folk song which directly works sings , produces in the work , and for the fatigue duty , has the intense life breath directly , music disposition rough heroic , firm powerful .

  3. 浅析劳动号子的音乐特点

    On the Music Characteristic about Labor Yo-ho

  4. 甘肃的号子有劳动号子、花号子和山歌号子三种。

    Gansu 's chant of the labor chant , flowers chant and chant three kinds of folk songs .

  5. 行军歌、劳动号子、流浪曲、黑人圣歌也都应包括在民歌范围之内。

    Marching songs , work songs , hobo songs and Negro spirituals are also forms of folk song .

  6. 从远古时期的劳动号子到唐诗、宋词、元曲、明清的民歌以及戏曲、说唱艺术,各种民族音乐体系都离不开声乐。

    Chinese drama , art of speaking and singing and all kinds of folk music don 't part from vocality .

  7. “川江号子”是四川民歌中川江船工劳作时所唱的劳动号子。

    " Chuanjiang Haozi " is one of the work songs sung by boat trackers when toiling along the Chuanjiang River .

  8. 号子也称劳动号子、哨子,是一种伴随着劳动而歌唱的民间歌曲,流传于中国各地。

    Chant , also known as labor 's chant , whistle , is a labor accompanied by singing folk songs , spread in various parts of China .

  9. 民间歌曲中,劳动号子占有重要的地位,可以说,劳动号子是民歌音调的最早的根源和基础。

    Folk songs , labor chant occupies an important position , can be said that child labor numbers are the root causes of the earliest folk tone and foundation .

  10. 应结合当地的民俗风情,探索劳动号子、山歌和小调作为当涂民歌的三种体裁,民歌的发展演变规律,审视其文化内涵与美学意蕴。

    We should do research in the evolution law of labor horn , folk song and popular tune with the combination of the local customs and appreciate its cultural connotation and aesthetic value .

  11. 劳动号子从大的方面分,主要有搬运号子、工程号子、农活号子、渔船号子和作坊号子五大类。

    Number of labor aspects of the child from the big points , mainly handling chant , engineering , chant , chant farming , fishing boats , chant , and workshops chant five categories .

  12. 第四部分对中牟民歌的音乐形态进行分析,从劳动号子、民间小调、叫卖调三大类的中牟民歌中,选出具有代表性的歌曲,从调式、调性、旋律、节奏等方面做具体分析。

    The fourth part analyzes ZhongMou folk music form , from " tonality "," folk songs "," hawk " ZhongMou folk songs of three broad categories , choose the representative songs , from the aspects of mode , tonality , melody , rhythm , etc to do concrete analysis .