五声

wǔ shēnɡ
  • the five notes of the pentatonic scale
  • the five notes of the ancient Chinese five-tone scale
五声五声
五声 [wǔ shēng]
  • [the five notes of the ancient Chinese five-tone scale] 古代音乐中的五种音阶:宫、商、角、徵( zhǐ)、羽

  • 和五声。--《吕氏春秋.慎行论》

  1. 三度结构的和声方法&五声性调式和声研究之一

    Harmonic Methodology Based on Third - Studies on Pentatonic Harmony

  2. 谈民族五声性和声

    Notes on national pentatonic harmony Q & A on Sex

  3. 钢琴即兴演奏中五声调式的调性发展问题与教学研究

    Study of Pentonic Tonality Development and Teaching in Piano Improvisation

  4. 五声调式在我国有着悠久的历史和广泛的群众基础。

    Five-tone mode has a long history and a solid mass base .

  5. 进包房喊五声玛丽亚万岁。

    Go in the stall , say five hail marys .

  6. 王国维五声说辨析

    Differentiate and Analyse Five Tone Theory of WANG Guo-wei

  7. 浅谈十二音技法及其五声化的应用

    On Twelve-Tone Technique and its Application in Pentatonic

  8. 我们要搞民族音乐创作可运用多种类型的五声音阶,这既有民族化,又有地方特色,是创作的好路子。

    Creating national music with diverse pentatonic scales can embody ethical and local features .

  9. 五声性和弦的结构概念辨析及使用特性上的再分类

    Analysis of the Structure of Pentatonic Scale Chord and Its Characteristic Redivision in Use

  10. 按五声音阶定音,音域可达4个八度。

    The Zheng has a five-note scale , with its musical range reaching four octaves .

  11. 本文介绍了中国古代五声音阶的形成与发展。

    The article outlines the formation and development of a pentatonic scale in ancient China .

  12. 中国五声调式同主音横向综合的理论与实践

    The Theory & the Practice on the Lateral Synthesis of the Same Keynote in Chinese Pentatonic Modes

  13. 这里的四腔调式是以五声音阶为骨干的七声羽调式,且调式统一。

    The mode of the Four Chamber is unified seven modes , pentatonic scale being the backbone .

  14. 吴的《五声反切正均》是近代汉语语音史研究中不可忽视的一本书。

    Wusheng Fanqie Zhengyun written by WuLang is important to the study of the history of modem Chinese phonology .

  15. 琵琶传统乐曲大都是五声调式,速度大都是中速或慢速。

    Most traditional music by Pipa belongs to the pentatonic scale , and the speed is intermediate or slow .

  16. 我想自己在左边听到四或五声枪响,但是我不能确定。

    I thought I heard four or five gunshots to my left , but I couldn 't be sure .

  17. 第二部分是分析在中国作曲家的作品中,有关五声调式交替、五声调式远关系转调方面的探索与实践。

    The second part is analysis of Chinese composers ' exploration of alternating and far-relationship transfering of pentatonic tonality .

  18. 同中国其它地区的民歌一样,五声调式音阶也是朝鲜族音乐曲调的基础。

    The same as folk song in other area , pentatonic scale is also the base of Korean music melody .

  19. 其中也包括有五声性的四声、五声、六声和七声调式。

    Nanyang folk song has a mode of five tone , which includes four , five , six and seven tones .

  20. 它还具有中国传统民谣五声调式音调的特点,因而与其它民族的歌曲相比,具有多层次的调式意义。

    The introduction of the Five-tone modes of Chinese folk ballads has provided it with more prominent individualities and multi-layer mode meanings .

  21. 广东的粤乐,它有着三种类型的五声音阶;潮乐也有着四种类型的五声音阶。这都是中国古代仿承发展过来的。

    For instance , Guangdong 's Yueyue has three types and Chaoyue has four , all of which inherited those in ancient China .

  22. 五声性调式和声的和弦结构可以是多样的,既可采用三度结构、纵合性结构,也可采用四五度结构或二度结构。

    The structures of the pentatonic-modes-harmony are various , either the triad , or the fourth / fifth , even the second is used .

  23. 一般中国五声调式旋律难写,要写成一条真正的角调式旋律则更加困难。

    The melody in Chinese pentatonic scales is hard to compose , and it is more difficult to compose a real melody in Jiao Mode .

  24. 昆曲的五声音阶以及精妙细腻、抑扬顿挫的乐句,让位于一个几乎什么都有可能的音高和旋律构成的世界。

    The pentatonic scale and subtle , lilting phrasings of kunqu give way to a world of pitch and melody in which almost anything goes .

  25. 目前,作为一种原理和技法,已经渗透到了具有五声性风格的现代音乐创作实践及理论研究中。

    At present , as a principle and technique it has penetrated into the modern music composing practice and theory research , with the quality and style of pentatone .

  26. 中国专业性的多声部音乐创作,始于20世纪20年代初。作曲家在进行音乐创作时,在旋律的写作上往往会采用五声性音调。

    The creation of professional Chinese multiple-voice begins with early 1920s . When the composers work on the music creation , they often adopt pentatonic notes on melody work .

  27. 心得体会:需要识别印象派作家的创作手法:五声特性,块状音乐,该时期音乐与绘画有强烈的可比性。总体而言不难捕捉。

    Comments : identify examples of impressionist technique , ie pentatonics , in pieces of music , draw strong parallels to the art work , generally easy to catch .

  28. 怎样结合我国五声调式的特点进行调性发展方法的教学,是我国高等院校音乐教育系科普遍开设的专业基础课程&键盘和声、即兴演奏(即兴伴奏)课程的教学难点与重要内容之一。

    How to combine the characteristics of pentatonic in teaching development of tonality is the difficult and important content in courses such as keyboard harmony , improvisation in colleges nowadays .

  29. 卡扎菲的住所阿齐齐亚兵营昨天再次响起了五声巨大的爆炸声。周日晚上这里第一次遭袭,周二晚间卡扎菲在这里现身并发表了演说。

    Five loud blasts were reported at Gaddafi 's Bab al-Aziziya compound , where he had made an address on Tuesday night and which had been first attacked on Sunday night .

  30. 配乐很棒,是非常丰富的采用传统中国音乐理念的半音音律,用的是五声音阶,而且演唱的部分也非常传统。

    The music is wonderful and it 's a very rich chromatic score using traditional ideas of Chinese music , using a pentatonic scale and certainly the vocal lines are very traditional .