河图

河图河图
  1. 《清明上河图》与广告传播

    Riverside Scene on the Qingming Day and the Media of Advertising

  2. 清明上河图里面可以看到悲伤和幸福的结合。

    The Qingming Festival sees a combination of sadness and happiness .

  3. 《清明上河图》的艺术特色与历史文献价值

    Artistic Characteristics and Historical Values of Clear and Bright Upper River Picture

  4. 《清明上河图》与宋代市井家具。

    Qing Ming Shang He Tu and market furniture in Son Dynasty .

  5. 《清明上河图》题名质疑

    A Query on the title of On the Riverside Scene of Pure Brightness

  6. 我觉得,河图才是理想的宇宙模型。

    I thought that , the river chart is the ideal universe model .

  7. 总之,《清明上河图》具有极高的史料价值。

    In short ," Riverside Scene of Pure Brightness ," a high historical value .

  8. 传统上认为,易经出自河图和洛书。

    Traditionally , the I Ching originated from the River Maps and Luo Book .

  9. 超越考据:关于《清明上河图》研究方法的美学思考

    Surmount Textual Criticism : On Research Methods of On the Riverside Scene of Pure Brightness

  10. 《清明上河图》描绘出节日中的京城的繁华景象。

    Riverside scenes at the Qingming Festival depicts the bustling scene in the then capital during the festival .

  11. 其中,“清明上河图”长达8米,历史两年多方告成功。

    Among them ," Qingming Riverside " up to8 meters , two-year history , the success of multi-divisions .

  12. 中国古代名画《清明上河图》是一件真正的收藏品。

    The famous ancient painting " The Qingming Festival on the River " is a true collector 's item .

  13. 从清明上河图看现代城市滨水商业居住空间

    See the commercial living space along rivers in modern cities by the Picture of the Bian River on Qingming Day

  14. 《清明上河图》中的城门楼,是该图形象体系的组成部分;

    The city gate tower in On the Riverside Scene of Pure Brightness isa component part of its image system ;

  15. 河图洛书文化塑造了河洛文学的神秘奇异风格。

    Hetu Luosliu ( the ancient Chinese mythological fiction ) culture has shaped the grotesque features of Heluo literature into being .

  16. 今晚,让我们一起欣赏青年演奏家李彦歌的箜篌独奏:《清明上河图》。

    Tonight , let 's enjoy together the harp solo by the young performer Li Yange : Clear and Bright Upper River Picture .

  17. 《清明上河图》是一幅绢本设色长卷,高248厘米,长528厘米。

    Qingming Festival by the Riverside is a long colored painted scroll with a length of 528 cm and a height of 248 cm .

  18. 欲判明先秦文献中所记载的“河图”、“洛书”是否点阵之图,首先应求于先秦文献中有关“河图”、“洛书”的原始记载。

    We should check the original documents of Pre-Qin period to distinguish whether " Hetu " and " Luoshu " are lattice diagram or not .

  19. 又从“五生十成”图、“十生五成”图分别与《河图》、《洛书》对比,其图象、论理完全一致,看出彝汉古文化的共同性。

    Compared to Hetu and Luoshu , their pictures and theories are the same , and we can see the togetherness of Yi and Hart culture .

  20. 论证了我国决策思维的互补性准则渊源于远古无文字时期的《洛书》、《河图》。

    The author testified that the complementarity rule of our country 's decision making thought originated from Luo Shu and He Tu during no character period .

  21. 但其中的痴迷河图洛书,对祖冲之圆周率的错误批判,又反映出朱载堉作为古代学人的历史局限。

    However , that he obsessed the Hetu Luoshu and error criticized Zu Chongzhi 's circumference ratio reflected Zhu Zaiyu 's historical limitation as an ancient scholar .

  22. 国宝级名画《清明上河图》被艺术地再现于展厅中,传达中国古典城市的智慧。

    The famous picture of Riverside Scene at Qingming Festival will also make its appearance in the China Pavilion to illustrate the charms of ancient Chinese cities .

  23. 这包括河图洛书的问题、先天学的问题、后天学的问题和占筮方法的问题,这就是本文的第四章和第五章的内容。

    This paper researches on the issues of the River Map and Luo Chart , Priori Learning and Postnatal Learning , divine method in chapter four and five .

  24. 考据中的误区与误区中的考据&李白两入长安问题争论之反思超越考据:关于《清明上河图》研究方法的美学思考

    Reflections on the Arguments Concerning Li Bai s Twice Going into Chang an ; Surmount Textual Criticism : On Research Methods of On the Riverside Scene of Pure Brightness

  25. 戴翔借用了《清明上河图》的视觉及概念框架——当然还有名字——创作了记录中国社会市井百态的精美拼图。

    Mr. Dai borrows the visual and conceptual framework of that painting - not to mention its title - to produce a patchwork of meticulous vignettes of everyday Chinese society .

  26. 真丝织锦画《清明上河图》取材原作中以虹桥为中心的高潮部分,采用高精度彩色真丝织锦技术,历经多道高难度工艺精心制作而成。

    Silk brocade painting " qingming riverside seene " original materials in hongqiao center for the climax , color silk brocade technique with high precision , high technology elaborate more difficult .

  27. 古老的清明上河图描述了另一个时期巨大的变迁和发展,通过技术的魔力转眼间展现了新中国生机勃勃的形象。

    The ancient Riverside scroll , which depicts another period of dramatic change and development , has been transformed through the magic of technology into a vivid symbol of the new China .

  28. 河图也试图描述了这种状态,向外发散的,是阳线(点);还有个向内收缩的,可能是阴线(点)。

    The river chart also attempted to describe this kind of condition , diverged to outside , was Masculine line ( Spot ); Also has to contract to in , possibly is Negative line ( Spot ) .

  29. 《清明上河图》中所描绘的热闹非凡的景象在向人们展示了一个生气盎然的传统桥空间之余,也向我们传递了桥在当时城市生活中的重要社会地位。

    One of the most famous Chinese paintings from Song Dynasty describes a vivid scene of a traditional bridge space , and it also shows us bridges important social status in the city life at that time .

  30. 本人对两种五行模式内容的区别研究,找到了两种五行关系模式的本质区别,很好的规范了两种模式,特别是河图五行模式的内容特点及应用范围。

    I two five line mode content difference study , found two five relationship patterns in the essential difference , good for two kinds of mode , especially by five line mode content characteristics and scope of application .