道情

dào qíng
  • Daoqing;a form of folk art;chanting folk tales to the accompaniment of simple percussion instruments;ballad with a moral theme
道情道情
道情 [dào qíng]
  • [a form of folk art;ballad with a moral theme] 曲艺的一个类别。渊源于唐代的《承天》《九真》等道曲。南宋始用渔鼓、筒板伴奏,故又称道情渔鼓。至清代,道情同各地民间音乐结合形成了同源异流的多种形式,如陕北道情、江西道情、湖北渔鼓、四川竹琴等。道情多以唱为主,以说为辅。有坐唱、站唱、单口、对口等表演形式

道情[dào qíng]
  1. 环县道情皮影戏中的打击乐

    Percussion Music in Dao Qing Shadow Play of Huan County

  2. 呼吁对陕北道情现状进行保护,并提出笔者对陕北道情的具体措施和方法。

    Calling for the protection on this valuable treasure as well as some measures and methods .

  3. 周口越调和道情戏被确定为国家非物质文化遗产。

    Zhoukou Yue Opera and traditional extase have been identified as a national intangible cultural heritage .

  4. 本文重点将环县道情皮影戏中的打击乐分类,并逐一介绍其特点和作用。

    This paper describes the percussion part of the shadow play and lays out its characteristics and functions .

  5. 试论宋代理学文学感物道情的特点

    Analysis of the Characteristics of Emotion - conveying in the Literature of the Confucian School in the Song Dynasty

  6. 本文以环县道情皮影解家戏班为个案,进行定向的田野调查和研究。

    The paper , with The Xies ' Troupes as a case , directional conducted in the field of research and investigation .

  7. 道情作为道教发展过程中形成的传统宗教艺术形式,有其独特的内涵与价值。

    The religious artistic form of Taoism which has its unique connotation and value is formed in the development of the Taoism .

  8. 总结出陕北道情的文化内涵及多重功能的特征。4陕北道情的现状与思考。

    Summarized its cultural implications and multiple functions . 4 The current status and thinking of Dao-Qing in Northern Part of Shaanxi .

  9. 高安道情的唱腔音乐主要由《太平调》发展而成,它的发展经历了渔鼓道情、丝弦道情、戏曲道情三个阶段。

    Its aria music evaluated main from Taipingdiao , whose development experienced the three stages of bamboo drum Daoqing silk string Daoqing and drama Daoqing .

  10. 从“观物取象”到“感物道情”,我们或许可以发现《周易》中蕴涵的艺术知觉元素。

    From " watching for images " to " perceiving about affections ", it is possible for us to discover the artistic aesthesia elements in The Book of Changes .

  11. 不一会儿,他们又被旁边有着优美旋律的道情吸引过去,从他们的脸部表情可以看出他们很喜欢道情的音律。

    Soon , they were next to the beautiful melody of affections has attracted in the past , from their facial expressions can be seen that they really like affections of temperament .

  12. 关于创作的过程,朱熹提出感物道情说。朱熹论述创作的全过程是:感物情动有思有言,并且认为这是一个自然而来、不能自已的客观事实。

    About the creation process , Zhu Xi proposed of this process is : feeling creation that sentiment move have thought and that this - seeming to is a natural , not from already the objective facts .

  13. 朱熹认为艺术创作的兴起,一是来自客观外物的触动,即感物,二是缘于创作主体主观情感表现的欲望,即道情。

    Zhu xi think the rise of art creation , one is the objective external things from the touches , namely " feeling thing ", one is because the creation subject subjective emotional expressional desire , namely " DaoQing " .

  14. 环县道情皮影戏流行于甘肃环县及周边地区,具有浓郁的地方色彩,其打击乐形式独特、内容丰富,是不可或缺的重要组成部分。

    Dao Qing shadow play of Huan County , popular in Huan County of Gansu and vicinities , is rich in local flavor , and its percussion music , an indispensable part of the shadow play , is unique in form and colorful in content .

  15. 独具环县民间艺术特色的道情皮影小戏,却以其强大的生命力在陇东的崇山峻岭、沟谷峁梁之间活跃了百余年之久,因而环县道情皮影又称陇东道情。

    However , with unique folk art characteristics and its strong vitality , the Huan County Taoism shadow plays have been animating for hundreds of years among the high mountains and the lofty hills of Longdong , which is also called " Daoqing longdong " .