石窟壁画

石窟壁画的材料表现与岩彩画的探讨

A Probe on Material in Grotto Fresco and Colorful Rock Paintings

敦煌石窟壁画色彩研究

A Study on the Color of Dunhuang Cave 's Murals

敦煌石窟壁画艺术包罗万象，是一部形象的历史。

Dunhuang Grottoes is a history showing with image , including abundant subjects .

中国古代游牧民族文化与敦煌石窟壁画艺术

Chinese ancient nomadic nation 's culture and the Dunhuang Caves ' murals art

新疆龟兹石窟壁画中的多元文化研究

A Study on the Multi-culture in the Murals of Qiuci Caves in Xinjiang

包罗万象的敦煌石窟壁画艺术

An Introduction to Mural Art s of Dunhuang Grottoes

阿尔寨石窟壁画颜料的拉曼光谱分析

Micro-Raman Identification of the Wall-painting Pigments in A-Er-Zhai

论克孜尔石窟壁画的色彩结构

The Colour Structure of Kizil Grotto Frescoes

克孜尔石窟壁画颜料研究

Research on Pigments of Kizil Grottoes

克孜尔石窟壁画中的伎乐及其乐队组合形式

The Study of the Music-player and the Band Combining Form of Them in Kizil Grottoes Murals

然后介绍了根据相应技术实现的智能化壁画临摹辅助系统和石窟壁画文物保护修复辅助系统。

Then we introduce the computer aided mural copy system and computer aided mural protection and restoration system .

克孜尔壁画作为龟兹石窟壁画艺术的一部分，具有东西方艺术的某些特征。

As a part of the Qiuci Buddhism art , the kizil grotto has some characteristics of eastern and western arts .

《经师论》中有的内容在龟兹石窟壁画中有艺术造型相证。

Some of the content in Jin Shi bin are proved by artistic images in the murals of grottoes in Kucha .

克孜尔石窟壁画是龟兹石窟艺术的代表，装饰性是这一艺术的主要特征。

The Fresco of Kizil Caves Represents the Art of Qiuci Grottoes , and the Ornamental is the Main Character of It ;

克孜尔石窟壁画研究是西域美术史和中国佛教美术史的基础课题之一。

The study of Kizil grotto fresco is one of the basic subjects of fine arts history of Chinese western region & Buddhism .

克孜尔石窟壁画中的裸体形象，从上世纪80年代开始为学者所关注，取得一定的研究成果。

The nude images on the murals in Kizil grottoes began to attract scholars attention in the1980s and they ve got many research results .

本文就是试图通过石窟壁画这个载体将龟兹古国的宗教文化各个方面展现出来，不仅限于龟兹佛教文化。

This paper is trying to Cave Paintings of this vector Qiuci the ancient religious and cultural aspects demonstrated , not only Qiuci Buddhist culture .

建筑彩画纹饰从石窟壁画时代就开始形成了，在夏商周和春秋时期逐渐成熟。

The architectural colored paintings had come into being since the period of grotto paintings , and matured from the Xia Dynasty to the Spring and Autumn Period .

本文通过收集、整理敦煌石窟壁画山水画及衬景山水景致的作品图录、文字记载，对敦煌壁画中各时期的山水画风作整理研究。

Through collecting and sorting Dunhuang Caves mural landscape painting and the view landscape sceneries records , this text is to research each period landscape painting style of Dunhuarig mural .

西域石窟壁画中有许多装饰性的图案，其中花草纹饰中的忍冬纹，卷草纹，莲花纹，宝相花等非常有特色。

The grotto murals in the Western Regions contain a lot of decorative patterns , including acanthus design , scroll design , lotus'design , rosette design and some other distinctive patterns .

敦煌石窟壁画所显示的饮食坐姿与坐具、食床的变化相适应，主要有跪坐、胡坐和垂腿坐。

From Dunhuang murals , we can trace all changes of eating and drinking gestures with changes of furniture to sit on and eat with such as eating beds , chairs , and desks .

特别是早期、中期敦煌石窟壁画的山水画及衬景山水景致提供了宝贵的中国早期山水画风的具体的形象资料。

Especially , the landscape painting and the view landscape sceneries of the earlier period , middle Dunhuang Caves mural provided the concrete image data of the precious Chinese earlier period landscape painting style .

研究新疆石窟壁画不仅要从文献着手，而且要特别注重图象考古。这对研究中国佛教文化艺术有重要意义。

This paper is of great significance in studying Chinese Buddhism as well as its culture and art , for it pays as much attention to the relevant literature as it dose to archaeological image .

中国的文化长河蔓延几千年，人们在不断的探索当中发现了许许多多令人惊奇的历史文化，敦煌石窟壁画艺术就是我国历史遗迹中的瑰宝。

River spread of Chinese culture for thousands of years , people were found in the continuous exploration of the many amazing history and culture , the Dunhuang murals and art is in our historical treasures .

我们可以通过石窟壁画的内容去研究龟兹佛教文化，不仅如此，从历史学的视角出发，我们还能从龟兹石窟壁画中看见龟兹宗教文化的发展史。

We can grotto murals Qiuci to study the contents of Buddhist culture , and not only that , from the perspectives of history , we can grotto murals from Qiuci see Qiuci religious and cultural history of the development .

在中国绘画艺术中，无论山水画还是花鸟画，无论工笔画还是写意画，无论卷轴画还是石窟壁画，也都或多或少的有装饰性绘画语言的存在。

In Chinese drawing art , regardless of landscape painting or flower-and-bird painting , regardless of fine drawings or painting in the impresionistic manner , regardless of reel picture or rock cave mural , also all more or less has the cosmetic drawing language existence .

敦煌石窟元代壁画制作材料及工艺分析研究

Study on Materials and Technics of Yuan Dynasty Wall-Painting in Dunhuang Grottoes

在龟兹石窟的壁画中可以找寻到古老的龟兹文化。

Qiuci caves in the murals can look for the oldest Qiuci culture .

这些石窟的壁画和雕刻中，乐舞形象几乎触处可见。

In the frescoes and sculptures in these grottoes , the dancing figures are omnipresent .

莫高窟第95窟和榆林窟第27窟的壁画是敦煌石窟元代壁画中最具有特点的壁画，在材料和工艺上有极大的特殊性。

Cave 95 in Mogao Grottoes and cave 27 in Yulin Grottoes have the most special wall-painting in Yuan Dynasty wall-painting of Dunhuang Grottoes and have a great deal of specificity in material and technics .