波提切利

在其中一个网页上，杰夫·昆斯在大卫·兹沃纳画廊为纪念绘画史而翻唱波提切利的《春》。

There , on one webpage , was Je ff Koons ri ffi ng on Botticelli ’ s “ Primavera ” in a tribute to the history of painting at David Zwirner Gallery .

他把自己收藏的意大利画作留给了他的遗孀其中包括波提切利（botticelli）、提香（titian）和贝利尼（bellini）的作品，并在她死后捐献给了国家美术馆。

His collection of Italian paintings ( among them works by Botticelli , Titian and Bellini ) was left to his widow and , on her death , to the National Gallery .

这处宅邸从璞琪家族15世纪担任美第奇家族（Medicis）的政治顾问起就为其所有，拥有波提切利（Botticelli）及其他绘画大师的珍贵画作，也是一座画室、精品店以及公司总部的所在地。

Owned by the family since they were political advisers to the Medicis in the 1400s , the palace boasts precious paintings by Botticelli and other Old Masters , as well as an atelier , boutique and company headquarters .

收躲中一些著名的作品包括有波提切利的「春」和「维也纳的诞生」。

Some of the most famous works in the collection include Botticelli 's Primavera and Birth of Venus .

此画是波提切利在他生命的最后期间所创作，但鉴于一些未知的原因，他未能真正完成此画的着色。

The painting was executed by Botticelli in the last years of his life , but for reasons unknown was never completed .

谈起波提切利，他毫不费劲，说到弗拉安基利科，他甚至带着点屈尊俯就的神气。斐波纳契数的优点在于至少有可测试的主张；一个看起来错了的主张。

He talked easily of Botticelli , and spoke of Fra Angelico with a faint condescension . Fibonacci numbers at least have the virtue of creating a testable proposition ; one that they appear to fail .