汉砖

论汉画像砖艺术的绘画性特征

On the Drawing Characteristics of the Arts of Han Dynasty 's Carving Bricks

汉画像砖艺术成就表现在：成功地运用了现实主义与浪漫主义创作方法；

The stone reliefs in the Han dynasty successfully combines realistic methods of creation with romantic ones .

而南阳汉画像砖把古朴的艺术风格以及粗犷、豪放的民族性格表现得十分到位。

The brick in Nanyang is outstanding on the style of ancient art and the uninhibited expression of national character .

汉画像砖艺术成就对后代装饰艺术产生了深刻影响本文试从因果逻辑这一规律来考察这三个相似情节中的相异性，从中我们可以看出作者深厚的艺术功底。

This article attempts to make good use of cause-and-effect linkage to analyze the three plots , appreciating the author 's artistic attainments .

本论文主要针对这一情况研究汉画像砖在中国当代壁画的影响和作用。

The present paper mainly aims at this situation to study the Chinese Portrait brick in the Chinese present age mural influence and the function .

四川汉画像砖多为汉代中晚期的作品，主要集中在成都平原极其周边地区。四川汉画像砖是画像砖艺术鼎盛时期的产物。

The Han Dynasty portrait brick in Sichuan is mainly in the middle and late Han Dynasty and distributed in Chengdu Plain and its surrounding areas .

这批汉画像砖的发现，为研究洛阳地区的汉画像砖艺术提供了新资料。

The discovery of bricks relief of Han dynasty affordes the new materials for researching the art of bricks relief of Han dynasty in Luoyang area .

本文研究了四川汉画像砖与河南南阳汉画像砖的产生、分布、制作、题材和内容等，并从艺术风格和历史意义等方面进行了详尽的研究。

The production , distribution , subject matter and content of Han Dynasty portrait brick in Sichuan and Nanyang are researched in this paper . The artistic style and historical significance are studied in detail .

为了汉画像砖在中国当代壁画中更好的发挥它的作用，需要针对性的研究汉画像砖的艺术语言表现以便进一步发展中国当代壁画。

Portrait brick better plays its role for the Chinese in the Chinese present age mural , needs the pointed research Chinese Portrait brick art language performance in order to further develop the Chinese present age mural .

目前虽然中国当代壁画在借鉴汉画像砖中有了一定的发展，但相比汉画像砖丰富的艺术语言表现，还远远不够。

At present although Chinese present age mural in profited from the Chinese Portrait brick center to have the certain development , but compared the Chinese Portrait brick rich art language performance , but also was by far insufficient .

汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在似与不似之间广阔的空间的选择。

With the method of exaggeration , distortion , symbolic and decorative , Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing .

在中国传统民间艺术作品当中，以汉画像石、汉画像砖为主的汉代画像艺术，因其深厚的文化内涵和特殊的艺术魅力著称于世。

Among Chinese traditional folk artistic works , the Relief Art of Han Dynasty , mainly composed of relief stone and brick sculptures , is famous for its deeply culture connotations and unique artistic charm .