水墨动画

中国水墨动画的起源是参照了中国水墨画，两者的笔墨形式感相通。

Chinese Ink Animation is a reference to the origin of the Chinese brush and ink , the ink forms a sense of connecting the two .

对水墨动画艺术特征的研究应该遵循‘笔墨当随时代’的理念，水墨动画视听艺术特征是影片讲故事的主要方式。

The research on Ink animation art features should follow the idea ' the ink with the times ' . The features of Ink animated audio-visual arts is the main way in storytelling .

水墨动画的意境及其语言局限性

G Language The Poetic Implications of Water-Color Animation and Its Limitations

继而对中国水墨动画的发展历程做了分析与研究。

And then to the development of Chinese ink painting animation do the analysis and research .

潜力，潜能成长、发展或形成的潜在能力水墨动画在商业化进程中的潜力探析

Inherent capacity for growth , development , or coming into existence . The Potentialities of Ink-Animation in the Commercial World

高效率的软件配合可以提高动画的制作，使水墨动画形式丰富，艺术品格得到提升。

Efficient software can improve the production of animation , enrich the forms of ink painting animation , improve the artistic quality .

小蝌蚪该游向何方？&后现代文化语境中水墨动画之走向探析

Where should the " Tadpoles " go ? & The Trend of Animated Cartoon in Ink and Wash Painting in Post-modernist Cultural Context

水墨动画视觉语言是将中国传统意趣审美观与现代多媒体技术完美结合的艺术形式，它被赋予了传统水墨艺术形式和传统意趣审美观的生命，具有极其深广的发展空间。

It has been given the life in traditional ink painting art forms and traditional interest aesthetics , and thus it has broad development space .

本文从文化、艺术、影像、广告多维视角出发，探讨了在影视广告设计中数字水墨动画这一表现形式的运用。

With a multi-dimensional perspective of culture , art , video , advertising , this paper analyzed the digital Chinese painting animation which used in commercial film .

另一方面通过分析比较的方法，归纳出数字水墨动画和传统水墨动画之间一脉相承的传承关系以及二者各自表现出的特点和出现的问题。

On the other hand , in order to come down one continuous line between the traditional ink painting animation and digital , it will take analysis and comparison of methods .

并且加以分析中国水墨动画的现阶段问题以及解决方法，并且从数字化时代的先进技术对中国水墨动画给予希望和期待。

And to analyze the problem at the present stage of Chinese ink painting and animation solutions , and from the digital age of advanced technology to the Chinese Ink Animation hopes and expectations .

报告会上，微软亚洲研究院的李明镜博士还给在场的师生演示了公司研制的最新三款产品：学术搜索、微软对联和水墨动画。

At the meeting , Dr Li Mingjing from the Microsoft Research Asia gives a show on three latest products : academics search , micro couplet and wash cartoon to students and teachers present .

意趣在水墨动画视觉语言中的达趣，则更多借助视觉图像本身呈现的直观性、交互性特征，并通过观看体验方法得以实现。

The " interest attaining " function of interest in ink painting animation visual language is achieved through the viewing experience method based on the visual and interactive qualities of the visual image itself .

所以，在科技高速发展时代，科技与艺术的结合突破了中国水墨动画原来的内容和表现形式，推动了新水墨动画艺术的发展。

So , the new period , the combination of science and art is a breakthrough application China wash cartoon of the original content and form , and promote the development of new water-ink animation art .

数字技术自20世纪末以来进入了高速发展期，这使得国内一些动画创作者通过计算机或者其它数字技术操作平台来进行水墨动画的创作，试图复兴水墨动画曾经的辉煌，并最终取得了一些成绩。

In the late twentieth Century , the rapid development of digital technology enables domestic animation creator through computer operation platform for the water-ink animation creation , tries to revive Chinese ink animation , and have achieved some results .

另外通过对数字时代背景下创作的水墨动画发展现状的研究，力求找出适合数字化水墨动画产业化发展的方法，并最终为当前中国水墨动画的发展探索出一条适合本国国情的道路。

In addition to the digital era background of ink animation development present situation research , try to find out a method for the digital ink animation industrialization development , in order to explore a suitable road for the national conditions .

特别是在水墨动画艺术领域，伴随着动画制作技术的发展变革，不断地涌现出大量优秀的水墨动画艺术作品，在很大程度上丰富和拓展了传统水墨艺术的视觉表现形式。

With the development and change of the animation technology , have emerged a large number of excellent ink animation art , in a large part , it enrich and expand the expression of visual form of the traditional ink animation art .

利用传统水墨动画《山水情》艺术表现及处理手法分析中国传统水墨动画的对青少年美育教育功能，并以此为出发点对中国动画创作的未来之路做理论性的思考。

I use " landscape " traditional ink painting animation art performance and handling analysis on teenagers aesthetic education function of Chinese traditional ink painting animation , and the road to the future of Chinese animation creation as the starting point to do theoretical thinking .

图像和语言基于人类的情感，能在表意上相互联系和转换，因而图像叙事和语言叙事具有互换性。文章着重从中国水墨动画具体的元素中寻找叙事性特征。

Images and language based on human emotions , can contact each other in the table means and conversion , and thus images with narrative and language narrative " interchangeability . " The author focuses on specific elements of Chinese ink painting animation look for narrative feature .

然后对水墨三维动画课件的设计原则和关键技术进行了分析，设计开发了辅助本次设计的插件与脚本。

Then the principles and key techniques of the courseware have been analyzed .

随着中国经济快速发展，中国文化传播更为频繁，水墨风格的动画作品以强大发展之势开始复燃。

With the rapid development of Chinese economy , Chinese cultural transmission is more frequent , leading to the development of ink painting animation .

基于SPH的中国水墨画风格烟气动画系统

SPH Based Chinese-Ink-Painting-Style Smoke Animation System

中国水墨动画片在国际动画领域为中国动画赢得了中国学派的美誉，这和其意境悠远、诗情画意、质朴隽永、清新淡雅的特点是分不开的。

Chinese ink animation has won the " Chinese School " reputation with a quality of poetry and painting , fresh and elegant , simple and meaningful in the international field of animation .

有三个优势：水墨元素构成中国动画的意境美；水墨元素水墨体现中国动画的独特动画语言；对中国传统文化有保护性作用。

It has three advantages : firstly , ink painting elements form the artistic conception of Chinese animation ; secondly , ink element reflects the unique animation language of Chinese animation ; thirdly , it helps to protect Chinese traditional culture .

水墨宣传片即水墨动画宣传片，它是以中国传统水墨为表现形式的广告宣传短片，属于水墨动画的一种，其表现形式与人文内涵来源于中国传统水墨画。

Ink Promotional Film , the animated promotional video , is a short advertising . It is one kind of the ink painting animations which is based on traditional Chinese ink painting and its art style and humanistic connotation originating from traditional Chinese ink painting .

水墨画是中国传统绘画的一种形式，而水墨动画这样一个词，更象是给动画加上了一丝中国式的意境。

Ink and wash painting is a form of traditional Chinese painting , and the word of ink animation , more like a " cartoon " add with a touch of Chinese-style mood .

水墨画是东方艺术的典型代表，而目前繁杂的3D水墨动画制作工艺，不利于传统文化的传播，如能利用现有水墨作品，快速制作水墨效果，将打破这一尴尬局面。

Chinese ink-painting is the typical of Oriental Art , whereas the current complicated technologies for creating 3D Chinese ink-style animation make against the spread of this traditional culture .

如今，在全球化的背景下，受多媒体和动漫动画等的影响，水墨画的发展呈现多元化，有传统水墨、实验水墨、都市水墨、抽象水墨、动画水墨等等。

Now , in the context of globalization , multimedia and animation by animation and other effects , the development of ink painting has diversified , with traditional ink painting , experimental ink , urban ink , abstract ink painting , animation , ink and so on .