毡帐

在布尔津县北部的一个山口附近，一位名叫罗斯汉（Los’han）的男子正在和家人拆掉毡帐，同时把家当扔上一辆白色的平板卡车。

North of the town of Burqin , near a mountain pass , a man named Los'han was dismantling his yurt with his family and tossing their furniture into the back of a white flatbed truck .

中国西北部蒙古族人的毡帐被称作蒙古包。它的木条用皮带和钉子固定而形成类似于篱笆的结构。

The Mongolian felt tent in northwest China is called Mongolian yurts.The wooden wattles are fastened with leather thongs and studs to form a fence-like structure .

进而也对毡帐技术的本质内涵有不同于以前的认识，即毡帐是物质的、社会的、符号的，是一种社会现象，表达了一种社会观点。

The different technology essential of the yurt is the material , the society , the mark , and is one kind of social phenomenon , expresses one kind of social viewpoint .

并分析毡帐在形成以后，作为一个意义之网，又对生活在她之中的人和围绕她存在的相关技术和知识的形成和传承有着深刻的意义。

After analysis the yurt , being a network of the significance , she has the profound significance , which operates the human , the related technology and the knowledge and the life existing in her .

他和家人住在通向可可托海国家地质公园的公路旁的一座白色毡帐里，周围还有五座这样的毡帐。可可托海国家地质公园是一个类似约塞米蒂谷的地方，有高耸的花岗岩山峰，额尔齐斯河经由这里流入北冰洋。

He lives with his family in one of a half-dozen white yurts by a road leading to the Koktokay nature park , a Yosemite-like valley with towering granite peaks through which the Irtysh River flows to the Arctic Ocean .

并结合实地调研资料，归纳总结了内蒙古地区毡帐建筑装饰在建筑外部装饰、室内装饰及装饰图案、色彩、体型等方面的特征，在此基础上分析了毡帐建筑装饰的整体内涵。

The thesis combine and survey and study the materials on the spot , Sum up the characteristic in exterior decoration , interior decoration , and ornament pattern , color , figure which yurt building of Inner Mongolia , analyses the whole intension of the building decoration of yurt .