机械艺术

这种后现代消费文化影像的复制方式，自有其后工业时代机械复制艺术的特殊性意义，也包含着一种通过复制模仿而创新的另类推动因素。

This duplication about postmodern consuming culture impression has its special significance for the art of post-industrial inflexible copy . And it also includes the alternative factors to inspire creation by imitating and copying .

早在20世纪30年代，本雅明就将刚刚起步的机械复制艺术如电影作为研究对象，预言机械复制时代的到来并将成为时代艺术发展的必然趋势。

Early in the 20th century , 30 years , Benjamin will be just starting out as a mechanical reproduction art such as film study , predicted that the era of mechanical reproduction and development of the arts to become the inevitable trend of the times .

论本雅明对机械复制时代艺术的情感

Benjamin 's Emotion on the Art in Mechanical Reproduction Period

本雅明对机械复制时代艺术进行了开创性研究。

Benjamin made a creative research on the art in the mechanical reproduction period .

现代机械产品的艺术造型设计

The artistic modeling design of modern machinery product

本雅明对艺术发展趋向的技术性考察使我们获得了进一步探究机械复制时代艺术创造问题的契机。

Walter Benjamin 's technological examination to arm development tendency finds us an opportunity further research of mechanical reproduction period .

本文从对机械复制时代艺术的礼赞、对光韵艺术的怀念、对现代艺术的矛盾态度三方面来探讨本雅明对机械复制时代艺术的情感。

This article attempts to explore Benjamin 's emotion toward art in the mechanical reproduction period surrounding three aspects : the admiration of the art in the mechanical reproduction period , the cherishing memory of aura art , and the hesitant attitude toward modern art .

对本雅明《机械复制时代的艺术作品》的几点解析

Explanations of Walter Benjamin 's The Art Work of the Machine Replication

技术·艺术·政治&本雅明《机械复制时代的艺术作品》的理论主题解构

Technology , Arts , Politics : Theoretical Theme of Benjamin 's " The Work of Art in the Age of Mechanical Reproducibility "

晚年的本雅明面对被机械全面接管的艺术形式总结了一种带有个人特色的审美&灵晕，继而对机械介入后的艺术形式作出了经验贬值的判定。

In his later years , Benjamin summarized a kind of personal aesthetics & aura when he faced a form of art which is taken over by mechanistic .

瓦尔特·本雅明在《机械复制时代的艺术作品》和未完成的《拱廊计划》等文本中，实际上已经对大众文化现象做出了批评。

In his works , such as Works of Art In the Age of Mechanical Reproduction and unfinished Arcade Project , Walter Benjamin had actually developed a cultural criticism on the phenomenon of mass culture .

本雅明，德国现代著名思想家、哲学家和马克思主义文学批评家，《机械复制时代的艺术作品》是本雅明运用马克思主义唯物史观分析艺术问题的一篇重要论文。

Walter Benjamin is a significant German ideologist , philosopher and Marxist literary critic . His work , The Work of Art in the Age of Mechanical Reproduction , is a very influential essay analyzing cultural arts from the perspective of Marxist historical materialism .