张承志

个人理想主义和英雄主义&评析张承志《北方的河》

Personal Idealism and Heroism in " North River " by Zhang Chengzhi ;

张承志小说的苦难意识

The Consciousness Of Misery In zhang Cheng-zhi 's Fiction

张承志的文学创作经历了草原文学阶段、回族文学阶段和抗战文学阶段。

ZHANG Cheng-zhi 's literary creations go through three stages : prairie literature stage ;

诗体小说的尝试与探索&张承志小说论之六

The Trial and Exploration in Poetic Novels

张承志试图引领人们走向思想、灵魂和历史文化的深处，因而，他的文体创造，充分表现了他独有的精神追求和审美追求。

Therefore , his literary form fully represents his distinctive pursuit of spirit and aesthetics .

张承志的小说理论

ZHANG Cheng-zhi 's of Fiction Theory

雄奇悲凉的意象世界&论张承志小说的诗化及其美学风格

Majestic and Miserable Image World Comment on the Poetic and Aesthetic Style of Zhang Cheng-zhi 's Novels

《心灵史》：辉煌壮烈的民族史诗&张承志小说论之八

A Glorious and Heroic Epic of the Nation Religious Motif Narrating of the Novel History of Spirit

作者试图在历史文化层面上对张承志的中篇小说《黑骏马》进行重新解读。

This article tries to re-explain Zhang cheng zhi 's novelette the Black steed from historical and cultural aspect .

游牧民族的诗意人生与汉民族的诗意人生&张承志与梁晓声小说追求比较

The Different Poetic Sentiment Life of Nomadic Nationality and Han Nationality & Comparison of ZHANG Cheng-zhi and LIANG Xiao-sheng

虽然张承志找到了精神信仰，但是却无法回避自己的孤独。

Although he finds a type of spiritual belief system , he nevertheless can not escape his own loneliness .

张承志走上文坛，很大程度上得益于他魂牵梦绕的第二故乡&内蒙古大草原。

To a large extent , the Inner Mongolia prairie-as his second hometown-contributed to his success in literary circles .

托马斯·哈代的《德伯家的苔丝》和张承志的《黑骏马》有相同之处。

Thomas Hardy 's Tess of the D'Urbervilles and Zhang Chengzhi 's The Black Courser share something in common .

东西方意识流融合的杰作&评张承志的《黑骏马》

A Masterpiece of the Mixture of Eastern Western Stream of Consciousness Comments on The Black Steed by Zhang Chengzhi ;

张承志这种偏执的文化极端主义与鲁迅的文化悖论中的现代理性，有着貌似之下的根本区别。

Modern reason in such bigoted culture extremism of Zhang Chengzhi and Lu Xun 's cultural paradox , there are fundamental differences .

在张承志作品中，主人公大都为孤儿角色，父亲大都缺席或不在场，这表现了作家潜意识深处的“弑父”情怀。

In ZHANG 's texts , there is no father , and because of no father , most of the heroes are orphans .

张承志的散文集《绿风土》、《荒芜英雄路》、《清洁的精神》，本真地展现了他极为独特的心路历程。

Zhang Chengzhi 's collected proses , Green Earth , Desolate Road of Hero and Clear Spirit vividly unfold his extremely unique mental course .

但是，由于张承志自己的精神局限，这种受难意识对现代理性启蒙又带来了的内在的破坏。

But because of Zhang Chengzhi own spiritual limitation , this kind suffer-a-calamity consciousness teaches beginners inherent destruction that bring to modern reason also .

阅读中，两部中篇小说都为我们带来了诗意和诗美感受，主要因为张承志与艾特玛托夫有着几近相同的诗情资源。

In reading , the two novelettes have brought us the poetic sentiment and the poem esthetic sense because Zhang Chengzhi and Aeoi I ot a have very close poetic resources .

相同的草原生活经历、一样的民间文化滋润、中俄文化交流大背景下，张承志又受到艾特玛托夫的极大影响等因素都导致两位作家对生活内在体验的相似性。

Experiencing the same prairie life , nourished by the same folk culture and influenced by the cultural exchanging background between Russia and China , both writers have very similar intrinsic experience in life .

对后者的多角度审视，则形成了从张承志及其作品与社会、历史的关系切人的社会历史性质的研究，或者更多的是直接从文本切人的对文本的多侧面具体分析。

The latter forms the socio-historic studies from the angle of the relation between the writer with his works and society and history , or moreover , the multi-side detailed analysis done from text .

除了张承志、韩少功、贾平凹、莫言这些寻根作家还在用创作继续他们的文化寻根之旅外，也还有不少作家陆续加入其中，共同探寻着寻根这个古老而又永不过时的话题。

Except that Zhang Cheng-zhi , Han Shao-gong , Jia Ping-wa and Mo Yan all continue their cultural roots , other writers also take part and together explore the ancient but not outdated topic of root-seeking .

张承志的寻父是在寻求生命的意义，但儿子的身份定位限制了他意义寻求的深度。

The purpose of " searching for father " is to pursue the meaning of life , but the orientation of son 's identity in Zhang 's novels has constrained the depth of meaning Zhang can find .

该时期张承志作品中的死亡叙事不是单纯的控诉忧患的载体，而是在开辟表现生存意识、体现生存价值的新径。

The death narrative in Zhang Cheng-zhi s works in this period is not a simple carrier to complain misery , but is the method of developing a new way of manifesting survival sense and survival value .

张承志自誉为人民之子，以人民体味人生，完善思想，这与现今大多数作家闭坐书斋，不与民间来往的风格截然不同。

He appreciates his life and perfects his thinking from the people , which is very different from the style of most modern writers who stay in home all day and do not intercourse with civil society .

从1978年起至今，他从事了整整32年的创作。本文的论述范围是前期张承志，即以《心灵史》的写作和出版为分水岭之前张承志的创作与实践。

He has been writing for 32 years since 1978.This thesis focuses on " prophase Zhang Chengzhi ", the writing and practice before the publication of History of the soul , which was the dividing point of him .

同为知青作家，张承志和史铁生虽然都高扬人道主义理想的旗帜，探寻生存的意义，力图以宗教精神来凝聚涣散的民族精神。

As the writers of school graduates , ZHANG Chen - zhi and SHI Tie - shen g held high the banner of humanitarianism ideal to explore the meaning of existence . They tried to condense slack spirit by means of religious spirit .

其中，额吉出现的频率最高，据此形象，批评家们赞美过张承志为人民的创作旗帜，分析过人物的恋母情结，批评过他的民粹主义倾向。

Among them , the volume lucky appears the frequency is highest , according to the above image , the critics have praised Zhang Cheng & zhi " for the people " creation flag , analyzes excellent Oedipus complex , has criticized him " the populism " tendency .