巫鬼

论湖湘巫鬼民祀对湖湘迁谪文学的影响

On Hu Xiang Worship Influences of Hu Xiang Migration Literature

汉中地区的巫鬼遗风与民间信仰

The relic of the necromancy and ghost and folk faith in HanZhong district

有一个使女迎着面来，他被巫鬼所附，用法术，叫他主人得大财利。

She earned a great deal of money for her owners by fortune-telling .

二者风格之异源于郑地商旅文化不同于陈地部族巫鬼文化。

The different beautiful styles originate from the differences of their societies and cultures .

深受商州地域文化影响的巫鬼化民俗。

Shang Zhou regional culture leading to features of " Witchcraft and evils " folklore ;

鲁迅作品中的巫鬼世界是一个完整的系统。

There is an integrated system of witchery and ghost world in Luxun 's works .

但是，政治祛魅的时代并不是巫鬼信仰绝迹的时代。

However , the witch beliefs do not vanish in the times of political disenchantment .

第二章从成因和形态来分析西南地区的巫鬼文化。

Chapter II analyzes the witch-ghost culture in the southwest of China on its reason and pattern .

第五章对巫鬼文化的本质进行了探讨，并提出了个人对于本课题的一些思考。

Chapter V discusses the nature of witch-ghost culture and offers some personal thoughts on this issue .

唐代长江流域信巫鬼、重淫祀习俗考

Tang Dynasty 's Custom of Believing in Witches and Ghosts , Practicing Sacrifice in Yangtze River Area

鬼后有人&论中国现当代启蒙作家对巫鬼文化的认识

Man Behind Ghosts : Recognition to the Wizardry in Writings of Chinese Modern and Contemporary Enlightenment Writers

第四章讨论了西南地区巫鬼文化的特点及流变。

Chapter IV discusses the characteristics and the changes of the witch-ghost culture in the southwest of China .

所有这些都更使独特的礼品或任何巫鬼，是一定要记住。

All of these and more make unique gifts that any witch or ghost is sure to remember .

西南地区巫鬼之风浓厚，这在我国众多文献中都有所呈现。

In the southwest of China , the custom of witch and ghosts has been very popular , which can be seen in many documents in our country .

民间淫祠在唐代社会非常盛行，主要表现为各种名目繁多的生祠、祭庙以及巫鬼信仰。

The obscene folk temples were current in Tang Dynasty and which mainly shown as a multitude items as temples for living , sacrificial temples and belief in wizards and ghosts .

鲁迅、沈从文从巫鬼文化中借鉴了许些现代性的审美因素，其巫鬼文学书写在语言、意象、结构等方面为现代文学增添了新的美学因子。

The two workers drawed lesson from some modern aesthetic factors . Their works about ghost and witch added new aesthetic factors to modern literature in language , image , structure and other aspects .

对以巫鬼信仰为文化核心的乡土世界的表现只是表层，其深层涵义是探索和建构一种理想的人性形式和生存方式。

The representation of the local world with witch beliefs as its core is . just the superficial layer , and the deeper layer lies in exploring and constructing an ideal humanity form and existence mode .

这些作家试图从民间独特的巫鬼信仰中，寻找到重新确认民族属性，拯救民族文化，安抚现代人心灵、医治现代文明病的路径。

These writers strive to seek a path in the unique witch beliefs to reconfirm the national property , save the national culture , appease the soul of modern people , and heal the diseases of modern civilization .

巫鬼信仰是中国社会较为普遍的民间信仰和行为，它贯穿于整部中国古代文化史的始末，甚至在当代社会仍旧残存着其隐喻的内核。

The sorcery and ghost culture is the universal faith and behavior in Chinese community , and it is pierced through the whole history of ancient Chinese culture , whose metaphor core is even still surviving in the contemporary community .

它的产生，与其故楚地区巫鬼文化的传统有关，其音乐远源可追溯到先秦时期的楚声；

Its birth was relevant to the tradition of the culture of witchcraft and ghost in the past area of Chu , and its music origin can trace back to the voice of Chu in the time of previous Qin Dynasty .

广州地区居民继承古越族巫、鬼信仰传统，十分崇尚神灵信仰。

Residents of Guangzhou inherited the tradition of the ancient tribe named " Yue " that wizards and gods were advocated , and religious faiths were advocated extremely .

东晋南朝之际，崇巫尚鬼是江南民间信仰的重要内容，这种信仰心理反映在信仰行为上，出现了对鬼神的淫祀。

During the period of the Eastern Jin and Southern Dynasties , worshipping witchcraft and valuing ghost is the important content of Jiangnan folk belief psychology , which , on the behaviour , showed the excessive worship to the god and the ghost .

第一章主要是针对本课题的相关概念进行界定，包括巫、巫鬼、巫鬼文化。

Chapter I defines all relevant concepts on the topic , including witches , witch and ghost and witch-ghost culture .