声无哀乐论

论嵇康《声无哀乐论》的和美学思想

The Harmony Aesthetical Ideology in Ji Kang 's No Sadness in Music

《声无哀乐论》的产生原因及其评价问题

The Cause of Music Has No Sorrow or Joy and the Problem of its Valuation

通过剖析《声无哀乐论》，我们从中抽取出无情与有情两个概念。

By analyzing the " Sound Without Sorrows ", from which we extract a " ruthless " and " enthusiastic " two concepts .

从嵇康《声无哀乐论》看音乐审美主体的差异性

On the Otherness of the Musical Aesthetic Subject & From Ji Kang 's Perspective of The Music is Irrelevant to Grief or Joy of

一直以来，人们对于《声无哀乐论》中的音乐美学思想有各种不同的解读，存在很大争议。

All along , the people for " Sound Without Sorrows " Musical Aesthetics in a variety of different interpretations , there is much controversy .

本文试图以分析《声无哀乐论》中情感问题作为突破口，以此探究《声无哀乐论》中音乐美学观的真正内含。

This paper attempts to analyze the " Sound Without Sorrows " in emotional problems as a starting point , this inquiry " Sound Without Sorrows " Aesthetics of Music really contains .

应用认识论的观点，并根据《声无哀乐论》和《淮南子》中的音乐美学思想，分析、研究了音乐审美活动中审美主体的接受差异问题。

This paper , following the theory of knowledge and based on the musical aesthetic thoughts in Music without Sorrow and Joy and Huai Nan Zi , analyzes the acceptance differences of aesthetic subject in music appreciation .