哭嫁歌

鄂西土家族哭嫁歌的角色转换功能

The Wedding Lament of the Tujia People in Western Hubei Province : The Function for Role Transformation

论土家族哭嫁歌的孝道内涵

On the Filial Connotation of the Wedding Lament in Tujia Nationality

江西波阳县哭嫁歌探究

A Research on the Weeping Marriage Songs of Poyang County in Jiangxi Province

鄂西土家族哭嫁歌的主体心理分析

A Psychological Analysis of Wailing Songs in Wedding of Tujia Nationality in Western Hubei

由文化事象深入到女性心理&关于土家族哭嫁歌研究的思考

From Culture Phenomenon to Women 's Mind & Thinking about the Studies of the Tujia Wedding Lament

其次，哭嫁歌在很大程度上突出了女姓的性别意识；

Secondly , the weeping songs , in a large sense , emphasize the gender consciousness of the women .

这是一种非常特殊的哭，有一定的腔调和旋律，形成独具特色的哭嫁歌。

This was a special kind of crying with a tune and melody and it formed a wedding lament with characteristics .

哭嫁歌曾是土家族地区风行的抒情性仪式歌谣，是新娘在哭嫁仪式中拥有的话语权。

Wailing songs in wedding were once the popular lyric folk songs of Tujia people and the bride 's right of utterance .

本文主要从历史渊源、演唱内容和方式、表演程序、音乐特点及现状等方面对嘉禾伴嫁哭嫁歌进行简单的阐述。

The article mainly talks about its origin , contents , way of singing , sequence , characteristic of music and the present condition , etc.

女性文化、角色心理与生命史&湖北三峡地区土家族哭嫁歌研究

The Women 's Culture , Role Mentality and Life History & A Survey of the Wedding Lament of the Tujia Nationality in the Three Gorges Region

新娘出嫁前三至七天，与众女性亲属，用哭和唱哭嫁歌的仪式来迎接婚姻这一人生的重大转变。

Before three or seven days bridegroom married , she would meet marriage , which was the big change of lifetime with crying and singing wedding lament songs .

哭嫁歌是土族婚礼风俗乐歌的重要类型，是土族文化的一种表现形式，蕴含着土族人民的审美意识。

The married songs with tears are important categories concerning the music and songs of wedding ceremony custom of the Tus , a kind of cultural manifestations of the Tus , and contains the aesthetic consciousness of the Tu people .

从出嫁歌的内容看，哭嫁歌除了表现土家族的婚姻史和文化内涵外，还展示了土家族女性心理情感变化轨迹和一定的功利色彩。

According to the content of the songs , it expresses not only the marriage history of Tujia but also the culture content , and the female mental state in Tujia 's emotion variety track with the certain utility color .

隐藏在民间哭嫁与哭嫁歌中的女性意识

Female Consciousness Concealed in Bride 's Weeping and her Weeping Songs in Folk Custom

运用结构主义的核心理论二元对立结构模式，分析粤西的哭嫁习俗及其哭嫁歌，能清晰地看清其面貌。

Based on the core theory of structuralism and bilateral opposite structure , the crying marriage customs and songs in Yuexi area are analyzed in order to get a clear understanding about them .