孙甘露

20世纪80年代中后期，由马原、格非、孙甘露等人的叙事革命所引发的先锋小说运动，实际上是从形式的角度探索了现代小说的发展道路。

Vanguard novels explored the development of modern novels on the basis of their forms .

《呼吸》是作家孙甘露介入当下的一种尝试。

Different from his other existing works , Ganlu Sun attempted to intervene in the realities in his novel " Breath " .

本文认为，《呼吸》的问题在于孙甘露汲取历史和现实作为写作资源，而汲取的方式对资源的表现造成了限制。

This paper concluded that the way Sun used to acquire writing resources from Chinese history and reality constrained the utilization of those materials .

本文试图从形式层面，探寻孙甘露小说审美特质是如何发生，怎样实现的。

From the perspective of expression form , this paper tries to interpret how Sun realized aesthetics in his novel ( including the divergence thought , the floating feeling ect . ) .