我将从官方、制度化宗教与世俗社会三个不同层面对工匠进行观察，对应的材料是秦俑、敦煌画稿及明清祖宗像。
The author will analyze craftsman from three different angles : official ideology , religion and secular society , with materials of Qin Yong , Dunhuang paintings and ancestor paintings in Ming and Qing Dynasty .
祖宗像