生死场

4年后，中国杰出女作家萧红在国内出版了她的代表作《生死场》，这也是一部关于北方农村的小说。

Four years later , Xiao Hong , a brilliant Chinese female writer published her representative work The Field of Life and Death , which was also about the rural life in northern China .

《大地》和《生死场》的出现正是中美文化之间的一种对话。

The appearance of The Good Earth and The Field of Life and Death is a kind of dialogue between Chinese and American culture .

《生死场》：压抑文化下的女性语言探微

Women 's Language Under Depression in Arena of Life and Death

《生死场》研究述评

The Commentary on Studies of Life and Death Fair

启蒙视角下的民间悲剧：《生死场》

Tragedy of Folk under the Perspective of Enlightenment : Sheng Si Chang ;

对着人类的愚昧&论《生死场》的主题意蕴

Confrontation of Human Benightness & On the theme of The Life and Death Fair

《生死场》的重新阅读与萧红文学史评价再阐释&对萧红文学史写作的一种思考

Reread Sheng Si Chang and Reinterpret the Evaluations of Literary History for Xiao Hong

在此基础之上，对呈现在生死场与后花园之间，中国现代作家乡土想像中的悖论性文本现象进行了专题分析。

In this thesis , a special analysis is made on the paradox between the above-mentioned schemata .

他们对这一经殖民地文化浸淫的特殊的生死场怀有一种既陌生又熟悉、既异己又亲和的矛盾态度，由此构成了独特的文化审美心态。

It is their ambiguous attitude towards life-and-death field influenced by colonial culture , unfamiliar and familiar ;

何处是归程&《生死场》金枝的女性生命救赎意识解读

Where Will We Go & On Woman Life Redemption Consciousness of Jin Zhi In Field of Life and Death

苦难与拯救&论《生死场》和《呼兰河传》主题意蕴的对应性

Sufferings and Salvation & On the corresponding thematic relationship between The Ground of Life and Death and Biography of Hunan River

萧红这种复杂的情感意识显然无法脱离时代环境的束缚，但这并不影响《生死场》在文学史中的重要地位。

This conflict is due to the social environment of her times and won 't influence her status in literature history .

启蒙与救亡是一个巨大的矛盾，交织在中国现代历史之中而无法解开，《生死场》就是它所收获的一个苦果。

Enlightenment and national salvation constituted a tremendous contradiction , mingled in the modern history of China , and never untied .

萧红丰富的情感世界以及作为女性的自我意识在小说《生死场》中，通过不同的女性人物形象的塑造，被呈现得极为鲜明。

In her novel Shengsichang , Xiao Hong 's complex and her female consciousness are represented by the shape of different female images .

现代精英知识分子启蒙视角观照下的东北乡村&以《生死场》、《呼兰河传》为例

Northeast Chinese Rural Society under the Enlightenment View of Modern Elitism Intellectual : Take Life and Death Field , the Biography of Hulan River as the Examples

崛起于三十年代的女作家萧红，以她的名篇《生死场》和《呼兰河传》奠定了在中国现代文学史上的地位。

Xiao Hong who came to prominence in the1930 's established her status in the history of modern Chinese literature with her two masterpieces : life and Death Fair and the Biography of Hulan River .

《生死场》是萧红在民族兴亡关头，通过对生与死的探讨，从而进一步展示对人类生存境遇的探究，对民族自立潜在障碍和落后文化心态的历史反思。

The Life and Death Fair is Xiao Hong 's work written at the critical moment of the national rise and fall , which has historic reflection upon the potential barriers of national autonomy and cultural backward psychology on a further display of human existence .

伪满乡村社会与民间文化广场&《生死场》、《呼兰河传》与伪满前后东北地域文化解读

The Rustic Society from the False Manchukuo and the Square of Folk Culture & Analysis and Understanding of Xiao Hong 's Two Novels of " Space of Alive and Dead Persons "," Legend of the Hulan River " and the Northeast Zone Culture before and after the False Manchukuo

不可思议的是，从那时候起，我不再把自己的生死与一场体育赛事的成功与否相关联。

Inexplicably , from that point on I never again lived and died with my success in a sporting event .

这趟从乌拉圭蒙特维多起飞的例行航程，却成为了攸关他们生死的一场奋战。

What was supposed to be a routine flight from Montevideo , Uruguay turned into a fight for their lives .