漆艺

  • 网络Lacquer art
漆艺漆艺
  1. 韩国当代漆艺发展趋势及启示

    Development Trend of Contemporary Lacquer Art in South Korea and Enlightenment

  2. 福州当代漆艺邀请展作品选

    Selected Works from the Invitation Exhibition of Fuzhou Modem Lacquer Art

  3. 中国传统漆艺对现代包装设计的参照效应

    The Reference Effect of Chinese Traditional Lacquer to Modern Packaging Design

  4. 中国漆艺文化拥有7千多年辉煌历史。

    Chinese lacquer culture has 7 thousand years of glorious history .

  5. 漆的现在式&日本青年漆艺家创作方法

    The Present Tense of Lacquer-Creative Ways of Young Japanese Lacquer Artists

  6. 福州是中国漆艺成长的热土。

    Fuzhou is the wonder land for Chinese lacquer art .

  7. 日本当代漆艺发展基础的研究

    Research of the Foundation of Contemporary Japanese Lacquer Art Development

  8. 中国的漆画,正是从古代漆艺中脱胎而来。

    The Chinese lacquer paintings come from ancient lacquer containers .

  9. 贵州大方漆艺文化的历史现状及保护措施

    The History , Present and Protection of Dafang Lacquer Art in Guizhou

  10. 漆艺以它丰富的内涵,广阔的空间为镶嵌材料提供了更多的可能性,漆艺是材料的艺术,在材料的使用上有着得天独厚的优势。

    Lacquer-art provides more possibility owing to its rich connotations and vast space .

  11. 中国传统漆艺与现代家具设计

    Chinese Traditional Lacquer Art & Modern Furniture Design

  12. 长江是孕育了中华古代灿烂漆艺文化的母亲河。

    Yangtze River is the mother river of breeding splendid ancient Chinese lacquer culture .

  13. 凉山彝族的漆作工艺凉山彝族传统漆艺文化的变迁&兼及保护与利用

    The Development of Traditional Painting Culture of Yi People in Liangshan and its Protection and Utility

  14. 它的出现与发展是漆艺史上的重要转折。

    Its emergence and development is an important turning point in the history of lacquer ware .

  15. 独特的肌理美是漆艺赖以长存并充满活力的生命线。

    Unique skin texture US is the paint skill depends exists forever and the vital lifeline .

  16. 唐明修把天然漆作为漆艺的学术方向和物质起点。

    Tang regards natural lacquer as the academic direction and material starting point of lacquer art .

  17. 漆艺的现代性

    The Modernity of Paint Art

  18. 艺术(英文)漆艺作品欣赏

    Enjoy Works of Paint Art

  19. 百宝嵌&漆艺中的奇葩阳新出土商代黑漆木柄的保护处理

    The Conservation and Handling of a Late Sheng Dynasty Black Lacquer Wooden Handle Excavated at Yang Xin

  20. 中国古代对外文化交流中的漆与漆艺

    The Lacquerware and the Lacquerware Technology in Cultural Exchange between China and Foreign Countries in Ancient Times

  21. 日本九之音色作品展精选&田口义明漆艺作品

    Japanese Work Selection of " Harmony by Nine " Exhibition & TAGUCHI , Yoshiaki 's Lacquer Works

  22. 厚浆醇酸漆的研制缅甸的漆艺

    Lacquer Wares in Burma

  23. 韩国、日本和欧洲等国漆艺家作品的增加,使展览更为国际化。

    The increase of lacquer wares by Korean , Japanese and European artist makes the exhibition more internationalized .

  24. 具有中国传统艺术特质的漆艺散发出的特有质感与民族感迎合了现代人生活多样性的情感需要。

    Lacquer art with Chinese traditional art exudes texture and ethical sense to the modern living diversity emotional need .

  25. 严格意义上的当代漆艺是建立在传统上的创造,它具有“原创性”。

    Contemporary lacquer arts strictly observed are based on traditional ways , which endows it with " originality " .

  26. 中国漆艺有着悠久的历史,并在不断的发展和演变着。

    The art of lacquer painting in China has a long history and it has been developing and evolving constantly .

  27. 第二章叙述了镶嵌材料的起源与发展历史,并对我国与日、韩两国的镶嵌材料在漆艺中的应用进行了分析和论述。

    The second chapter accounts for the origin and history of materials and analyses the difference among china korea and japan .

  28. 漆画继承了中国传统的漆艺文化,它有着双重属性即绘画性和工艺性。

    Lacquer painting inherited the traditional Chinese lacquer art culture , therefore has a painting sex and manufacturability of the double attribute .

  29. 唐明修是通过漆艺的纵向空间创造,追求人在时间的维度中如何达到自在境界的艺术家。

    Tang is an artist who pursues freedom and ease in the dimension of time through vertical spatial creation of lacquer art .

  30. 论文的最后部分,是从对策角度探究漆艺的保护与发展。

    At the end of the paper , I explore the protection and development of lacquer art from the perspective of countermeasure .