侠士

xiá shì
  • Xiashi;knight-errant
侠士侠士
侠士 [xiá shì]
  • [knight-errant] 旧指行侠仗义的人;侠客

  • 里侠者皆下之。--明. 高启《书博鸡者事》

  • 大侠杀人亡命。--清. 黄宗羲《柳敬亭传》

  • 与侠士谋救。--清. 梁启超《谭嗣同传》

  1. 而他们侠士词的不同风格,则是源于对侠士身份的焦虑。

    The different styles of their Knight-errant Ci were derived from the anxiety about knight-errant identity .

  2. 贺铸和辛弃疾是宋代创作侠士词的两位代表人物,他们在个人经历上有相似之处,创作风格也有承接关系。

    He Zhu and Xin Qiji were two representative personages who wrote Knight-errant Ci in Song Dynasty , they had similar personal experiences , the writing style also had successive inherits in time .

  3. 她很有侠士风度,正直无私。

    She was chivalrous , upright , and unselfish .

  4. 近代记者敢为天下先的侠士品质述评

    Responsible Chivalrous Quality of Modern Reporters

  5. 贺铸和辛弃疾少年时的行侠经历,以及所具有的侠义人格,是他们创作侠士词的直接动因。

    The experience of being knight-errant in their youth and the chivalrous personality was their directly motivation to create Knight-errant Ci .

  6. 侠的形象也同样进入了宋词,成为士大夫侠义精神和侠士情怀在宋代的延续。

    The images of knight-errant are also entered Song Poetry (" Ci "), it has become the continuation of chivalrous spirit and chivalrous feelings in Song Dynasty .

  7. 本文以侠士的兴起与发展作为剖析的对象,论述了武术及社会与侠士的关系,肯定了侠士的兴起对武术发展起了积极的作用。

    This article with chivlarous person 's starting with the development as subjects , elaborated Wushu and social and chivlarous person 's relations , affirmation chivalrous person 's starting has developed the positive function to wushu .

  8. 第一节对其咏史诗中吟咏的历史人物进行分析,如明君贤臣、隐者侠士、学者文士等。

    For the first quarter in the history of poetry of history characters analysis , such as a hermit , an enlightened monarch princes chivalrous man , scholars of the teachers of the law and so on .

  9. 译坛泰斗林纾不仅在他的“聊斋体”小说中刻画了为数不少的侠士,而且本人具有极其鲜明、可敬可佩的侠义风范。

    Lin Shu , a great master of translation , not only described a large number of paladins in his " Ghost-style " novels , but also showed himself as a very distinct , respectable and admirable wushu master .

  10. 贺铸渴望摆脱侠士身份使得侠士词风格沉郁悲凉,辛弃疾因为对侠士身份的坚持而使侠士词风格遒劲狂放。

    He Zhu was eager to get rid of the knight-errant identity , which made his Knight-errant Ci style gloomy and sadness . Xin Qiji persisted in his knight-errant identity , which made his Knight-errant Ci style vigorous and unrestrained .

  11. 他又深深倾慕古代侠士慷慨悲歌、豪迈不羁的生活态度和他们所奉行的“以武犯禁”、“不爱其躯”、“羞伐其德”的游侠精神,因此敢于蔑视封建秩序和礼教,冲击传统偶像。

    On the other hand , he adored the bold and unconstrained mien of ancient errant knights , who would sacrifice their lives for righteousness and never brag about their exploits . Furthermore , he was an iconoclast against feudal principles and etiqueues .

  12. 中国的侠士与日本的武士同为古代尚武术精神的产物,本文从源起、本质特征、思想渊源和文化品质等角度对它们进行比较,力求发掘出其各自特色及其给予我们的启示。

    Both the Chinese chivalrous swordsman and Japanese warrior were the product of ancient martial spirit . In the light of origin , nature , ideological sources and cultural quality , this essay compares them and tries to dig up respective features and enlightens .