伞头秧歌

第七部分对现存高家垣伞头秧歌艺人作了简要介绍。

Part VII of the paper describes the existing Gao jia Yuan santou yangge artists are briefly introduced .

第五部分也就是重点部分分析了高家垣伞头秧歌小剧的剧目和剧本。

Part V is key part of the analysis of Gao jia Yuan santou yangge small drama productions and screenplays .

第四部分是对高家垣伞头秧歌中所需要的乐队伴奏作一简单介绍。

The fourth part is the Gao jia Yuan santou yangge needed in the first band accompaniment for a brief introduction .

引言部分简要介绍了高家垣伞头秧歌的生存环境和现状，以及本文的研究目的和研究方法。

Brief introduction to Gao jia Yuan santou yangge of the living environment and the first yangge the status quo , as well as the purpose of this research and research methodologies .

第二部分介绍高家垣伞头秧歌的角色装扮和道具装饰，详细记录了现存高家垣伞头秧歌表演中所有装扮和道具，并对其使用方法作了简单论述。

The second part describes the role of the Gao jia Yuan santou yangge dress and props decoration , detailed record of the existing first Gao jia Yuan santou yangge dress and props for all performances , and its use briefly discussed .