中国传统美学

逸是中国传统美学中一个很重要的范畴。

Yi is a very important category in Chinese traditional aesthetics .

关于全球化时代中国传统美学现代化问题的质疑

Queries on the Modernization of Chinese Traditional Aesthetics in the Globalization

在这种现实背景下，中国传统美学思想重新得到重视。

In this reality background , the traditional aesthetics get attention .

作为天台文化的组成部分的天台美学，因具有人生美学的内容，而成为中国传统美学（人生美学）的一个组成部分。

Tiantai culture is an indivisible part of Chinese traditional culture .

论古代论画诗表达的中国传统美学观点

Traditional Chinese Aesthetic Points Expressed in Painting Poems in Ancient China

论张艺谋电影的中国传统美学表征

The Research of Chinese Traditional Esthetics Token of Zhang Yimou 's Film

在中国传统美学中，很多艺术都是相通的。

Different art forms are interlinked with traditional Chinese aesthetics .

中国传统美学对现代设计美学的影响

The significance of Chinese Traditional Aesthetics to Modern Aesthetical Design

中国传统美学观对当代设计的启发

Enlightenment of Traditional Chinese Aesthetic Outlook to Modern Design

中国传统美学中的美与善

Beauty and Goodness of Traditional Chinese Aesthetics and Ethics

意境，是中国传统美学的核心范畴。

Artistic conception , is the core category of the Chinese tradition esthetics .

《周易》：中国传统美学思维的源头

Zhouyi : the source of traditional Chinese esthetic thought

中国传统美学与康德美学比照诠释

Comparison of the Ancient Chinese Aesthetics and Kant 's

从儒家诗教到超功利说&西方启蒙美学对中国传统美学的矫正

From Confucian Doctrine to Utilitarianism & Correction of traditional Chinese Aesthetics by Western Aesthetics

东方自然观与中国传统美学精神

Eastern Natural View and Traditional Chinese Aesthetic Spirits

中国传统美学的现代意义

The Modern Sense of the Chinese Traditional Aesthetics

味觉与中国传统美学

Sense of Taste and Chinese Classic Aesthetics

试论中国传统美学思想对现代艺术设计教育的影响

To the Influence of the Chinese Traditional Esthetics Thought in the Modern Art Design Education

作为知识和学问的中国传统美学

Chinese Traditional Aesthetics as Knowledge and Learning

美与善的关系问题是中国传统美学的核心问题之一。

The relationship of beauty and goodness is the core issue of traditional Chinese aesthetics .

中国传统美学的整体意识在室内设计中的渗透

Infiltration of the Overall Consciousness of the Chinese Traditional Aesthetics in the Modern Interior Design Thought

气与中国传统美学审美方式

Qi and the Chinese Aesthetic Manner

在中国传统美学话语中，意象是核心范畴之一，而动物意象在所有的意象中有着重要的地位。

In the discourse of traditional chinese aesthetics , image is one of the core category .

超功利的审美观对中国传统美学观的形成和后世文人产生了深远的影响；

Ultra-utilitarian aesthetic views have profound influence on the formation of traditional Chinese aesthetics and later scholars .

书法是我国独有的艺术形式，是中国传统美学的基础。

Calligraphy is a particular art in China and it is the foundation of traditional Chinese esthetics .

现当代西方艺术的部分思想观念与中国传统美学思想相契合之现象表明，中国传统美学成就在某些方面是领先于西方艺术思想的。

Research shows that success in certain areas of Chinese aesthetics is the leading thought in Western art .

中国传统美学在圆明园中体现出了与皇权的统一和程式化的发展；

Chinese tradition esthetics manifested and the imperial authority unification and the formula development in Old Summer Palace ;

莫言是中国传统美学和西方现代写作技巧的感性传承人。

Moyan is the perceptual inheritor of not only Chinese traditional Aesthetics but also western modern writing skills .

其中在他作品中最突出地表现出来的是中国传统美学精神和西方存在主义的哲学思想。

Among them , the traditional Chinese aesthetic spirit and the philosophy of western existentialism are the particularly prominent .

那么，研究明式家具设计中的美学思想首先应从中国传统美学探根溯源出发。

Then , the research of Ming-style furniture design aesthetics should explore the root of traditional Chinese aesthetics at first .