coloratura

In the creation of his art songs , especially coloratura known art songs .

在他的艺术歌曲创作中，尤以花腔艺术歌曲见长。

Personal destiny and historical voice in Coloratura

《花腔》：个人命运与历史声音的缝合

The morphological features of coloratura , a study of the character shaping of Night Queen ;

研究夜后的人物性格塑造；

Third , creative approaches consisting of tonality , syncopation harmony and coloratura are mutual technical characteristic .

其三、调性、切分音、和声技术的运用、花腔乐句的设计等创作手法，是中西花腔女高音作品创作中所共有的技术特征。

It is concluded that Viscum coloratura has the function to improve both blood stasis and cardiac function in coronary heart disease .

说明槲寄生注射液对冠心病的血瘀状态及心功能有明显改善作用。

At present , there are many coloratura soprano learners in China . However , not many of them can become an outstanding singer .

目前，国内的花腔女高音学习者众多，但能够成为出色的演唱者并不多。

Second , the identical delivery of creation of coloratura soprano compositions is to pursue to poetical melody and folk aesthetic .

其二、追求旋律的诗境美、彰显民族特色是中西花腔女高音作品创作的一致风格。

The Intellectual Tragedy in the Context of International Discourses : an Interpretation of the Discourse Structure of Li Er ' Coloratura from the Angle of Comparative Literature

国际化语境中的知识悲剧&李洱小说《花腔》中话语结构的比较文学阐释

Coloratura soprano is the sound of a more special kind , the paper discusses the coloratura development from a historical perspective , and the characteristics of voices .

【中文摘要】花腔女高音是女高音中的一种较特殊的声部类型，本文从历史角度论述花腔女高音发展，以及声部特点。

This paper will be the Chinese contemporary coloratura coloratura technique of vocal works related to the origin and development of exploration and practice , classification in three parts and progressive research .

本文将以中国当代花腔声乐作品有关花腔技法的起源与发展、分类探究以及演唱实例分析三个部分层层递进的进行研究。

The main reason is that in the researcher of the etudes , the coloratura soprano is still incomplete or has its own style .

其主要原因是练习曲研究中，善未有完整的，或者自成一体的花腔女高音练习曲。

Contemporary World-renowned Coloratura Soprano & Joan Sutherland

当代世界著名花腔女高音&琼·萨瑟兰

Second , three aspects of the two classical coloratura soprano arias in the Operas , i.e. the characters , musical structure and of singing skills will be analyzed .

第四章为歌剧《魔笛》中花腔女高音经典唱段的分析，同样从人物角色、音乐结构及演唱技巧等方面对两首歌剧中的花腔女高音经典唱段进行分析。

He is the popularity of art songs and development in China , especially in terms of coloratura song for the nationalization of the development of national vocal music made an outstanding contribution .

他为艺术歌曲在中国的普及与发展，特别是在花腔歌曲的民族化方面为我国的民族声乐事业的发展做出了卓越的贡献。

In language , the novel coloratura written by Li Er imitates the narrating way used in historical discourse , but the real intention is to subvert the historical discourse .

从语言表层来看，李洱的小说《花腔》模仿了历史话语的叙事方式，但其真正意图恰恰在于颠覆历史话语；

Her voice with ease , clarity , tone pure , skillful and superb coloratura skill , the perfect combination of artistic accomplishment she became world-renowned singer .

她发声自如、吐字清晰、音色纯净，娴熟和高超的花腔技巧、艺术修养的完美结合使她成为享誉世界的歌唱家。

As the work style needs , aesthetic standards and the physical conditions and other factors , coloratura fulcrum in the breath , breath capacity issues are not the same with the other voices .

由于作品风格需要、审美标准以及生理条件等因素，花腔女高音在气息支点、咽部状态、气息量的问题上，都与其它声部不尽相同。

Then the use of breath-part feature as a starting point , the use of psychological methods for the media , by comparison with other voices to demonstrate the use of the unique atmosphere of coloratura .

再以该声部的气息运用特点为出发点，运用心理手段为媒介，通过与其它声部的比较，从而论证花腔女高音气息运用的独到之处。

Based on the textual analysis of " coloratura " by Li Er , the author maintains that the artistic merit of Li Er 's " coloratura " lies in its use of dual narrative technique and the unreliable narration .

李洱的小说《花腔》融合了多种叙事策略，其艺术魅力的产生主要源于作者对二度叙事策略和不可靠叙述策略的运用。

Coloratura riff first appeared in Gregorian chant and was developed to its peak by Castratos in the 17th and 18th century . Since then , Coloratura becomes an indispensable important component in bel canto .

花腔唱法最早出现在格利高里圣咏中，在十七十八世纪时，由阉人歌手将其发展至鼎盛，从而使得花腔唱法成为美声唱法中一个不可或缺的重要组成部分。

Her voice is pure and bright , broad range ; concert breath deep , unified voice ; feelings is more mellow , simple , sincere and moving ; she sang the coloratura passages is flexible and full , flowing lines .

她的嗓音纯净明亮、音域宽广；演唱气息深厚、声音统一；感情更是醇厚朴素、真挚动人；她演唱的花腔乐段灵活饱满、线条流畅。