黄梅戏

21世纪，黄梅戏步入困境。

In twenty-first Century , the Huangmei Opera get into trouble .

进入21世纪之后，黄梅戏走向衰落，剧团急剧减少。

In the twenty-first Century , Huangmei Opera Troupe decreased sharply .

笔者认为：传统的戏曲如黄梅戏，在声腔造型上积累了丰富的经验。

The author argued that traditional opera such as Huangmei Opera accumulated abundant experiences .

戏剧引致旅游的市场开发研究&以黄梅戏为例

Study on the market development of drama induced tourism & take Huangmeixi for example

黄梅戏虽然是一种地方戏，但受到很多人的喜爱。

Although only a local drama , Huangmei Opera is popular with many people .

黄梅戏最初被叫作“黄梅调”或“采茶戏”。

Huangmei opera was originally called " Huangmei tunes " or " tea-picking opera " .

本文研究的是黄梅戏的保护与传承问题。

This article is to study the preservation and inheritance of culture of Huangmei opera .

黄梅戏文化地理研究

Culture Geography Research on Huangmei Drama

黄梅戏的辉煌与衰落和社会主义革命密切相关，但又不是唯一的关系。

The rise and fall of Huangmei Opera was tightly but not only related to the socialism revolution .

1992年国家一级演员、安徽省著名黄梅戏表演艺术家韩再芬来此拍摄黄梅戏经典之作《天仙配》而得名。

In1992 Hai Zaifeng , a famous Huangmei Opera performer took a classic Huangmei Opera " Tianxian Pei " here .

戏曲音乐腔形变化的一般性探索&以黄梅戏的音乐为例

An Elementary Study on the Change of Aria in Opera music & The music of Huangmei opera as an example

民国时期主要黄梅戏演员有胡普伢、丁永泉等人。

The main Huangmei Opera actor and actress during the Republic of China are Hu Puya and Ding Yongquan , and so on .

黄梅戏是汇聚说唱、音乐、舞蹈以及美学等为一体的一种艺术表现形式。

Huangmei opera is a kind of art performance which integrates rap , music , dance as well as aesthetic and so on .

起源于安徽西南安庆郊区的黄梅戏，作为中国传统戏剧中的一种形式而风靡全国。

Huangmeixi , which originated in the environs of Anqing in southwestern Anhui , is a form of traditional Chinese opera popular across China .

并以京剧文化景观为参照系，对比分析了黄梅戏文化景观及其形成的地理背景；

On the reference of Beijing opera cultural landscapes , She analyses the Huangmei drama cultural landscapes and the geography backgrounds of its forming .

本章将马兰从拍摄黄梅戏舞台剧《红楼梦》到拍摄音乐剧《长河》的这段时期定义为马兰之路的拓展期。

The developing stage is from her filming stage drama of " A Dream of Red Mansions " to the musical " Long River " .

面对黄梅戏当前的困境，必须树立整体性保护、抢救性保护和生产性保护相结合的理念。

In the face of the dilemma of Huangmei Opera , we must combine the overall protection , the rescue protection and the Productive Protection .

民族声乐和黄梅戏演唱艺术有着千丝万缕的联系，两者都属于民族音乐，是华夏民族文化和艺术的重要组成部分，是中华民族精神的象征。

There are countless links between Huang-Mei and National-Vocal . They are both folk music , which is an important part of Chinese culture and arts .

尝试运用韩礼德的语域理论，从语境因素的语场、语旨、语式三方面简要分析黄梅戏这一戏剧曲目的语言特征。

This article aims to analyze the three elements of English dating ads & field , tenor , mode and their restrictions to the linguistic features .

论文首先从地域的地理、艺术、民俗等方面入手探讨黄梅戏的楚文化渊源；

Firstly , the dissertation probes into Chu Cultural origin of Huangmei Opera in aspects of the regional geography , regional arts , regional customs etc ;

在1950年代黄梅戏对之进行改写之后，董永遇仙传说获得了新生机，同时也埋下了新危机。

The legend regained its vitality after it was rewritten in Huangmei Opera in 1950s , although it would result in new crises at the same time .

在对现代戏曲舞美进行分析时，选取了现代著名黄梅戏《徽州女人》为分析对象，提炼现代黄梅戏舞美的特征。

During the study , it chooses the famous modern Huangmei Opera " Huizhou woman " as the analysing object which shows the features of modern Huangmei Opera stage .

建国后，黄梅戏从安庆地方剧种一跃成为安徽省、全国性大剧种。

After the founding of the PRC , the Huangmei Opera had three counts of boom in twentieth Century , and become the national largest dramas from Anqing local opera .

从文化扩散系统的角度，分析了黄梅戏文化的扩散动因、扩散媒介、扩散方式、扩散环境和黄梅戏文化嬗变；

From the angle of view of cultural diffusion system , she analyses diffusion drives , diffusion intermedia , diffusion modes , diffusion environments and culture innovations of Huangmei drama .

以黄梅戏专业剧团数量为依据，研究了黄梅戏文化区的演变，讨论了黄梅戏文化区形成、演变的规律及其成因。

According as the amount of Huangmei drama specialized troupe , She researches the evolvement of Huangmei drama cultural area , discusses the rules and reasons of its forming and evolving .

首先，本文追根溯源，对黄梅戏及黄梅戏演唱方法的起源和发展衍变做了大致的梳理，对黄梅戏的艺术特色和音乐特征做了整体的描述。

Firstly , this paper traces backs to the origin , development and evolvement of Huangmei Opera and its singing method , giving a general description of its artistic and musical features .

黄梅戏的演唱方法是我国传统声乐艺术中不可分割的重要组成部分，在展示剧种风格特点、维系剧种声腔地位方面，具有举足轻重的作用。

The singing method of Huangmei Opera is an indispensible part of our traditional vocal arts . It plays an important role in displaying its special characteristics and maintaining its outstanding status .

黄梅戏是安徽主要的地方戏曲剧种之一，也是我国五大戏曲剧种之一，主要流传在安徽省安庆市及其周边地区。

Huangmei opera is one of the major local operas in Anhui province as well as is one of the Chinese five operas , mainly spreads in Anqing city and its surrounding areas .

本文选取建国前和建国初期黄梅戏唱腔发展作为研究对象，源于这段时期的唱腔发展在整个黄梅戏历史进程中具有重要的转折意义。

This article selects Huangmei Opera music singing from the very beginning period of the nation as the research object , because of its important role in the development of Huangmei Opera history .

本文以戏曲音乐的腔形变化作为一般性探索对象，并试图以黄梅戏为例揭示戏曲音乐唱腔形态发展变化的规律。

The article intends to use the aria change of opera music as an exploration object , trying to take Huangmei Opera as an example to disclose the rule of aria change and development .