虞姬

这虞姬她怎么演，也得有一死。

The concubine has to die one way or the other .

于是，这里又有一座虞姬墓。

Hence the existence of another Tomb of Lady Yu .

张爱玲的小说《霸王别姬》中虞姬形象体现了女性主体意识觉醒的二重性。

The character of Concubine Yu in Farewell , Concubine reflects the duality of the awakening of women 's subjective awareness .

女性主义文学及其批评的一种审察&以张爱玲《霸王别姬》中虞姬形象的个案分析为例

Examining Feminist Literature and Its Criticism & Case Analysis of the Character of Concubine Yu in " Farewell , Concubine " by Zhang Ailing

梅兰芳恰如其分的舞台表演，将虞姬这个角色演绎的优美动人，使其成为中国戏剧舞台上最有魅力的人物之一。

Mei 's talent as a performer is completely displayed in this masterpiece , making Yuji one of the most attractive characters on the Chinese opera stage .

最后通过对文本与历史-文化的互文指涉来分析虞姬身份建构及身份自我认同的根本原因。

Finally , it analyzes the essential reasons of the identity construction of Yuji as the representative of confucian women and her self-identity by the intertextuality of text and history-culture context .

虞姬最后一次为霸王斟酒，最后一次为霸王舞剑，而后拔剑自刎，从一而终。

For the very last time Concubine poured wine for her King , and danced for him with a sword , and cut her throat with it , faithful to the King unto death .

本文借助女性主义叙事学的性别叙事理论，结合文本叙述形态与叙述者的性别身份，主要对霸王别姬故事中虞姬的身份建构历程进行分析。

Referring to the gender narration theory and combining with text narrative patterns and the gender of the tellers , the paper analyzes the gender and its construction course of Yuji in the stories .

我身边有一个美人，名字叫虞姬，她看到我的闷闷不乐，她不恐惧我的哀霜，常陪伴我喝酒。

I nearby have a beauty , the name call worry Ji , she see my depressed and not talking much , she don 't fear my Ai frost and often keep company with me to drink .

然后选取经典文本，结合性别叙事理论进行文本细读，描述虞姬的社会身份建构史；

Secondly , by selecting and reading classical texts , and combining gender narration theory , it describes how the texts produced female gender , in the other word , how the social identity of Yuji was constructed .