德国表现主义

  • 网络German expressionism
德国表现主义德国表现主义
  1. 德国表现主义文学的最大成就体现在戏剧方面。

    The greatest contribution of German Literature of Expressionism is its drama .

  2. 论20世纪初德国表现主义绘画的产生与发展

    The Appearance and Development of Expressionism Painting in Germany in the Early 20th Century

  3. 迷狂的身体&论德国表现主义舞蹈的文化根源

    Ecstatic Body & On Cultural Origin of German Expressive Dance

  4. 德国表现主义绘画图式的显现

    Formation of Visual Expression in German Expressionist Paintings

  5. 论德国表现主义的艺术形式

    On the Arts Forms of German Expressionism

  6. 20世纪初的德国表现主义

    German Expressionism in the Early 20th Century

  7. 德国表现主义戏剧的叙述方法

    Narrative Method of German Expressionist Drama

  8. 对新人、新世界的呼唤&恩斯特·布洛赫与德国表现主义

    A Call for a New Man and a New World : Ernst Bloch and the German Expressionism

  9. 第五部分(第四章)从欧洲艺术流派对德国表现主义绘画的影响进行分析。

    And the influence of the Europe art genres on the German expressionism will be presented in the fifth part .

  10. 作为德国表现主义的一部分,这个团体反映了特定时空的政治,文化以及社会背景。

    As part of German Expressionism , the group reflects the particular time of the political , cultural and social background .

  11. 本文所探讨的表现主义涵盖了德国表现主义、美国抽象表现主义、德国新表现主义等诸多表现主义历史时期。

    The paper includes the German Expressionism , the United States abstract expressionism , the new German Expressionism and so on .

  12. 本文从四个部分对德国表现主义的艺术形式进行深入的分析和思考。

    This text expresses the arts forms of German expressionism from four angles with view to analyzing and thinking of its formation .

  13. 德国表现主义文学与老庄哲学&试论文化交流中的本位文化心理

    German expressionist literature & Lao Zi und Zhuang Zi 's philosophy : Analysis on the psychology of chauvinistic culture in cultural exchange

  14. 20世纪德国表现主义的图式是对西方艺术传统和同时代的绘画的不断怀疑和有意地摆脱、割舍中产生的。

    The pattern of German Expressionism in 20 century came into being through suspecting and abandoning purposely the western artistic traditions and contemporary paintings .

  15. 二十世纪初期德国表现主义画家蒙克,他以高度的表现主义手法,将内心的挣扎和痛苦用其独特的绘画语言展示出来。

    Monck , a German expressionism painter in the early of the 1900s , expressed one 's internal struggle and misery in painting language .

  16. 德国表现主义反传统的叙述方法可以说直接影响了布莱希特叙述剧的创立。

    It can be said that the anti-hero narration in the German Expressionism has a reflect effect on the establishment of the Brahiter Narrative Drama .

  17. 作品的笔触表现得遒劲转折,充分融合中国文人画传统的笔墨逸趣和德国表现主义式的畅快抒情。

    The forceful , veering brushstroke is a seamless integration of the Chinese literati 's sedate ink-wash painting and the German expressionist 's unbounded intonation .

  18. 德国表现主义绘画兴起于20世纪初,其风格语言乃至精神内涵都在西方现代主义诸艺术流派中独树一帜。

    German expressionism springing up at the beginning of the 20th century . Compared with other western modernism , expressionism , it 's style , spirit , are unique .

  19. 德国表现主义艺术形式注重个性和激情的表现,在内容上反对客观模仿,并力求突破传统的束缚;

    Germany expressionism pays attention to the expression of personality and intense emotion , being opposed to objective mimicry and trying hard to break traditional ties in terms of contents .

  20. 桥社是德国表现主义的先驱,他们是由建筑系的学生基于对艺术的激情的热爱走到一起,用激情描写世界。

    Bridge Club is a pioneer of German Expressionism , they are based on the architecture students love the passion of art come together to describe the world with a passion .

  21. 第四部分(第三章)对影响德国表现主义绘画发展的哲学思想进行研究,从思想方面探索绘画语言转变的原因。

    The fourth part will analyze the change of painting style from the respect of the ideology , and the philosophy theories which influence the German Expressionist Painting will also be presented .

  22. 第三部分叙述德国表现主义艺术形式的特点,近一步阐释其个性突出、风格夸张及和谐抒情的艺术规律。

    In part three , the characteristics of arts forms of expressionism are described , taking further steps to explain the eminence of personality , the style of exaggeration and the arts disciplines of harmony and sentimentalism .

  23. 从19世纪末到20世纪初期表现主义在西方大体上经历了四个阶段,即法国早期表现主义,德国表现主义,美国抽象表现主义和德国新表现主义。

    From the late 19th century to early 20th century expressionism in the West largely through the four stages , namely , the early French Expressionism , German Expressionism , American abstract expressionism and the new German Expressionism .

  24. 第一部分论述德国表现主义的先驱人物及其组成派别的艺术倾向和主张,阐明表现主义艺术观念的形成和发展状况。

    In part one , we discuss the pioneers of German expressionism , the art tendencies and propositions of different schools in German expressionism in order to clarify the formation and development of doctrines and arts ideas of expressionism .

  25. 第二部分重点阐述德国表现主义的艺术形式的多元化构建,论证了主观因素、情感因素、象征因素和抽象因素是表现派艺术形式的关键所在。

    In part two , the diversification of the arts forms of expressionism is elaborated and the key roles of the subjective factor , emotion factor , the symbol factor and abstract factor in the arts forms of expressionism are discussed .

  26. 德国表现主义是指1910年至1920年间流行于德国绘画、文学和音乐领域里的艺术流派。恩斯特·布洛赫深受表现主义运动的影响,他的著作《乌托邦的精神》就具有表现主义文学的一般特征。

    The so-called German Expressionism refers to the German painting , literature and music popular between the years of 1910 and 1920 . Ernst Bloch was deeply influenced by this movement , the general characteristics of which are seen in his Spirit of Utopia .

  27. 本文主要讨论德国新表现主义的文化身份问题。

    This article discusses the cultural identity of German New Expressionism .

  28. 德国新表现主义绘画产生的背景及其艺术风格

    The Background and Artistic Style of Germany New-Expressionism Painting

  29. 德国新表现主义的四重奏

    The Quartet of German Neo - expressionism

  30. 最后对德国新表现主义所体现的文化身份问题的复杂性进行了简要的总结。

    In the conclusion , the complexity of cultural identity represented by German New Expressionism was analyzed briefly .