巴托克

  • 网络bartok;Bela Bartok;Bartok Bela
巴托克巴托克
  1. 奥尔德斯·赫胥黎、E·E·康明斯和赫伯特·乔治·威尔斯等作家的著作、贝拉·巴托克等作曲家的音乐、查理·卓别林和塞西尔·B·戴米尔等大师的电影将能更容易地被合法获取、出售、购买和欣赏到。

    Works from authors like Aldous Huxley , e.e. Cummings and H.G. Wells ; music from composers like Bela Bartok , and some Charlie Chaplin and Cecil B. DeMille films will be easier to ( legally ) access , sell , buy and enjoy .

  2. 巴托克是二十世纪杰出的匈牙利作曲家。

    Bela Bartok was the Hungarian composer in the 20th century .

  3. 布鲁克纳,所有名字以B打头的人,从巴托克一直到艾沙·佩卡·萨洛宁

    Bruckner , all the B 's , from Bartok , all the way up to Esa-Pekka Salonen .

  4. 柏林爱乐小号手萨拉·威利斯(SarahWillis)称,2006年,佩钦科凭借指挥巴托克和拉克玛尼诺夫的作品首次登台后,乐手们就开始留意他。

    Sarah Willis , a horn player in the Philharmonic , said that the musicians were quickly drawn to Mr. Petrenko after he made his debut in 2006 conducting works by Bartok and Rachmaninoff .

  5. 从对巴托克创作的认识误区浅析其创作思想

    On Bartok 's Creative Ideas from the Misunderstanding of His Creation

  6. 巴托克的音乐被认为曲高和寡。

    The music of Bartok is considered inaccessible by many people .

  7. 我突然想清楚了一件事,巴托克。

    I feel a sudden onset of clarity , bartok .

  8. 巴托克学习民间音乐的态度及其启示

    Bartok 's Attitude to Study Folk Music And its Apocalypse

  9. 巴托克和声的现代化特点

    The modern characters of the Harmony of Bartok 's Works

  10. 最初人们觉得巴托克的风格刺耳难听。

    At first , people found Bartok 's style harsh and ugly .

  11. 巴托克两部钢琴作品的比较研究

    A comparative study of 2 piano works by Bartok

  12. 巴托克《第三弦乐四重奏》的对称和弦综合分析

    A Comprehensive Analysis to the Symmetric Chords in String Quartet No.3 by Bartok

  13. 巴托克第三钢琴协奏曲结构分析

    Structure Analysis of Bartok : Piano Concerto No. 3

  14. 巴托克三首钢琴协奏曲分析与研究

    Analyze and Study to Three Piano Concert of Bartok

  15. 滑音就是……我这儿有段巴托克音乐的录音。

    A glissando is ... well , I 've got a recording of Bartok here .

  16. 对巴托克音乐的美学思考

    The aesthetic thinking of Bartok 's music

  17. 巴托克走出大门,实际上他游遍了东欧好些重要地区。

    Bartok went out , he travelled to a significant portion of eastern Europe actually .

  18. 事实上,巴托克在旅途开始时并没有把自己当做作曲家。

    In fact , Bartok didn 't start out a trip thinking himself as a composer .

  19. 这种热爱显然是受到了巴托克、席曼诺夫斯基等人的影响。

    This love is evidently accepting the effect by Bela Bartok 、 Karol Szymanowski and others .

  20. 当巴托克不断把新曲目搬上舞台,这些音乐就因其民谣根源一瞬而红。

    When Bartok kept new pieces performed , their folk music roots made them instantly popular .

  21. 巴托克和现代音乐

    Bartok and Modern Music

  22. 一座未被发现的金山&巴托克《献给孩子们》钢琴曲集解读

    An Unknown " Gold Mountain " & Bartok , " Dedicated to the Children ," Interpretation of Pieces

  23. 而巴托克对文化的适应与背离,正是其推陈出新、获得成功的秘密所在。

    The Bartok and Betrayal of cultural adaptation , it is the innovation , the secret of success .

  24. 他把巴托克与斯特拉文斯基一道视为对21世纪的作曲家影响最深刻、最持久的人物。

    Indeed , he thinks the composer , along with Stravinsky , is the biggest enduring influence on21st-century composers .

  25. 通过分析与研究这两部作品,对于我们诠释巴托克后来更加成熟的和晚期作品具有重要意义。

    It offers more help for our annotation of his later mature works through the analysis and study of them .

  26. 然而,尽管巴托克在他的家乡很受欢迎,在他的一生中,他并没有获得国际广泛认可。

    However , as popular as Bartok was in his homeland , he did not get much international recognition during his lifetime .

  27. 希望通过本文的研究进一步揭示巴托克的创作特征及音乐风格,并对钢琴教学有一定启示。

    The author hopes to bring some insights to piano teaching after careful study of the compositional and musical styles of his works .

  28. 有学者提及了格里格对巴托克音乐创作的影响,但没有充分证实。

    Secondly , some scholars mention the viewpoint of Grieg 's influence on Bela Bartok , but do not have sufficient arguments to testify it .

  29. 此外,主导动机贯穿的手法则是巴托克在运用现代的音乐语言的基础上对贝多芬晚期的贯穿曲式的继承与发扬。

    In addition , by carrying forward and developing Beethoven 's cyclic form on the base of modern musical language , Bartok created leading motive technique .

  30. 尤其当巴托克的芭蕾《木刻王子》开演,人们都很兴奋,因为音乐中有来自当地民谣的元素,

    Particularly , when Bartok 's ballet The Wooden Prince opened , there was great excitement for music that included musical elements from local folk songs ,