北野武

这两家基金会每年举办几次展览。卡地亚基金会位于光线充足、当代风格的让·努韦尔大厦内，它关注备受赞扬的天才，比如日本波普艺术家北野武和澳大利亚雕塑家罗恩·米克（RonMueck）。

Exhibitions rotate several times a year , with the Cartier - housed in a light-filled , contemporary Jean Nouvel building - bringing acclaimed talent such as the Japanese pop artist Takeshi Kitano and the Australian sculptor Ron Mueck .

北野武，日本著名电影导演、演员、电视节目主持人。

Takeshi Kitano , a famous Japanese film director , actor , TV presenter .

反叛与回归是北野武电影的主题。

Rebellion and regression were the theme of Takeshi 's films .

北野武：这些天我没怎么锻炼。

Takeshi : I haven 't been working out as much recently .

北野武：你想让我怎么安放这架钢琴？

Takeshi : What do you want me to do with this piano ?

个性化造就了北野武，你可能不喜欢北野武的电影，但你肯定会记住他的电影。

You can dislike his films , but you will remember his films .

反叛是北野武电影的重要特征。

Rebellion was his films ' important character .

这个故事基于北野武和父亲在童年的经历。

The story is based on the childhood experiences of Kitano and his father .

北野武导演的《座头市》同时还在这个月早些时候的威尼斯电影节上获得银狮奖。

Kitano also won a Silver Lion for directing Zatoichi at the Venice Film Festival earlier this month .

北野武：你要是觉得能挪动这架钢琴，哪怕是一英寸，那你就太自负了。

Takeshi : You are completely deluded if you think we 're going to move this piano one inch .

在继承中反叛，在反叛中回归，这正是北野武电影的主题，也是他创作电影的出发点与归宿。

Rebellion in inheriting , returning in rebelling , this is Takeshi 's films ' jumping-off point and regression point .

本文通过对北野武人生经历、主要作品特点的梳理，力求在国民性和个性化之间解读北野武。

The paper tries to unscramble Kitano 's national and individual characteristics by means of sorting out his stories and the main works .

多样的叙事结构，独特的拍摄手法，符号化的人物，意向化的影像，这一切都为北野武的电影主题服务。

Numerous narrating styles , special shot ways , symbol characters and imagery portraits , all of these were serving for the films'theme .

北野武：我想告诉你的是你需要找三个大块头的家伙来搬这架钢琴。

I 'll help . Takeshi : What I 'm trying to tell you is that you 'll need at least three big guys to move this piano .

本文介绍了日本著名电影导演北野武的十部作品，同时从三个层次重点分析了作品的暴力风格。

This article introduces ten movies directed by famous Japanese director Kitano Takeshi , and at the same time focuses on the violent style of his works from three degrees .

以1994年北野武遭遇的车祸为分界线，在此之前的影片表现出对生命的彻底反叛的态度，他的人物总是毅然决然地走向死亡。

In 1994 , Takeshi met with traffic accident . The writer regarded the year as his films ' boundary line . Films before this year expressed thoroughly rebelling manner , and the characters were always walking bravely to death .