北野武
- 网络takeshi kitano;KITANO Takeshi;Beat Takeshi;brother
![北野武](../cache/1326720.jpg)
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这两家基金会每年举办几次展览。卡地亚基金会位于光线充足、当代风格的让·努韦尔大厦内,它关注备受赞扬的天才,比如日本波普艺术家北野武和澳大利亚雕塑家罗恩·米克(RonMueck)。
Exhibitions rotate several times a year , with the Cartier - housed in a light-filled , contemporary Jean Nouvel building - bringing acclaimed talent such as the Japanese pop artist Takeshi Kitano and the Australian sculptor Ron Mueck .
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北野武,日本著名电影导演、演员、电视节目主持人。
Takeshi Kitano , a famous Japanese film director , actor , TV presenter .
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反叛与回归是北野武电影的主题。
Rebellion and regression were the theme of Takeshi 's films .
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北野武:这些天我没怎么锻炼。
Takeshi : I haven 't been working out as much recently .
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北野武:你想让我怎么安放这架钢琴?
Takeshi : What do you want me to do with this piano ?
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个性化造就了北野武,你可能不喜欢北野武的电影,但你肯定会记住他的电影。
You can dislike his films , but you will remember his films .
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反叛是北野武电影的重要特征。
Rebellion was his films ' important character .
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这个故事基于北野武和父亲在童年的经历。
The story is based on the childhood experiences of Kitano and his father .
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北野武导演的《座头市》同时还在这个月早些时候的威尼斯电影节上获得银狮奖。
Kitano also won a Silver Lion for directing Zatoichi at the Venice Film Festival earlier this month .
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北野武:你要是觉得能挪动这架钢琴,哪怕是一英寸,那你就太自负了。
Takeshi : You are completely deluded if you think we 're going to move this piano one inch .
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在继承中反叛,在反叛中回归,这正是北野武电影的主题,也是他创作电影的出发点与归宿。
Rebellion in inheriting , returning in rebelling , this is Takeshi 's films ' jumping-off point and regression point .
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本文通过对北野武人生经历、主要作品特点的梳理,力求在国民性和个性化之间解读北野武。
The paper tries to unscramble Kitano 's national and individual characteristics by means of sorting out his stories and the main works .
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多样的叙事结构,独特的拍摄手法,符号化的人物,意向化的影像,这一切都为北野武的电影主题服务。
Numerous narrating styles , special shot ways , symbol characters and imagery portraits , all of these were serving for the films'theme .
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北野武:我想告诉你的是你需要找三个大块头的家伙来搬这架钢琴。
I 'll help . Takeshi : What I 'm trying to tell you is that you 'll need at least three big guys to move this piano .
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本文介绍了日本著名电影导演北野武的十部作品,同时从三个层次重点分析了作品的暴力风格。
This article introduces ten movies directed by famous Japanese director Kitano Takeshi , and at the same time focuses on the violent style of his works from three degrees .
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以1994年北野武遭遇的车祸为分界线,在此之前的影片表现出对生命的彻底反叛的态度,他的人物总是毅然决然地走向死亡。
In 1994 , Takeshi met with traffic accident . The writer regarded the year as his films ' boundary line . Films before this year expressed thoroughly rebelling manner , and the characters were always walking bravely to death .