伶人

líng rén
  • actor or actress;actor;actress
伶人伶人
伶人 [líng rén]
  • (1) [actor;actress] 伶工、乐人,歌舞或戏剧演员

  • 伶人困之。--宋. 欧阳修《伶官传序》

  • (2) 又

  • 伶人也哉。

伶人[líng rén]
  1. 论伶人家族职业隔离制度及其政权策略

    On the Career Isolation System and Political Tactics of Drama Kindred

  2. 所有的这些准元老们都提供伶人秀么?

    Do all these would-be triarchs provide mummer shows ?

  3. 论《歧路灯》中戏曲伶人的描写及其意蕴

    Discussion on the description of Actors and its Meaning in Light on Forked Road

  4. 第四,进行了伶人治学的有益尝试。

    Fourthly , this journal proceeded good attempt to make actors do scholarly research .

  5. 他和伶人讲话就像对着一个正直的朝臣讲话一样。

    He and actor people speak just as facing toward an honest courtier and speaking .

  6. 这些因素促使伶人地位有所转变,贱民向平民转变。

    These factors make the actor status change ," untouchables " to " civilian " change .

  7. 伶人把戏演坏了。

    The actor murdered the play .

  8. 民间职业伶人是指没有固定演出场所和收入的流动伶人,伶人与欣赏者没有隶属关系。

    Civilian occupation actor is not fixed venues and income flow actors , actors and audience without subordinating relation .

  9. 瓦舍,源于宋代,最早的固定娱乐场所,先辈伶人在弦动鼓歇间把玩人生。

    Vacherie , from the Song Dynasty , the earliest entertainment place where the ancient performers enjoy their leisure time with drum and string .

  10. 它的主要组织单位是戏班,伶人数量不固定,多在乡间的寺庙戏台进行演出。

    It is the main organization unit which is a theatrical troupe , actor amount is not fixed , performances are on the village temple stage .

  11. 本文即是立足于这三个时期,并以此为宏线,附之以传统伶人和新剧人的演剧实践,突出新思想、新发展,并对各个时期戏曲理论的得失成败加以粗浅评析。

    From the traditional and modern players'practice in the above three periods , with the new ideas and improvement , this dissertation analyses drama theory 's primary success and failure .

  12. 清朝统治者认为伶人演戏败坏民俗,坏人心术,很多时候民间又利用演剧看戏作为起事的途径,因而皇帝及各级官府都对伶人的演出剧目和演戏地点进行管理,加强对伶人活动的管制。

    The Qing Dynasty rulers think that actors acting corrupt customs , ill attempt , many times by acting in theatre as a folk ways , so the emperor and government cast productions and acting location management , strengthen the actor activity controls .