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The Development and Artistic Value of Operetta
论轻歌剧的发展和艺术价值
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Abroad for John Strauss this unique charm of the operetta has been done a long time of research , there are many important results .
国外对于小约翰·施特劳斯的这部具有独特魅力的轻歌剧已经做了很长时间的研究,也有很多重要的成果。
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Operettas have been researched for a long time overseas .
对于轻歌剧的研究在国外已经有较长的历史。
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The fourth part combs the development of operetta .
第四部分梳理小戏的发展。
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We all enjoyed the operetta shown last night .
我们都喜欢昨晚的滑稽歌剧。
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In his adopted country his family ran a Spanish operetta troupe .
在他的第二祖国,家人经营一个西班牙轻歌剧团。
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Besides , as comprehensive art , operetta itself meets the aesthetic needs of the masses .
第三,轻歌剧作为一种综合艺术,所产生的综合美感,符合大众的审美需要。
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Operetta is usually less serious and more ligbt-hearted than opera .
轻歌剧通常比歌剧通俗而轻松。
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Gradually , he became known to the public as a composer of light and humorous operettas .
渐渐地,他那轻松俏皮充满讽刺幽默的小歌剧为大家所知。
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The eighth part analyzes and inquires about the situation and the outlet of the Fengtai operetta .
第八部分分析和探寻凤台小戏的处境与出路。
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She collaborated with Mr. Smith to produce operettas .
她与史密斯先生合作创作小歌剧。
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This paper consists of two chapters . Chapter One describes systematically the history of operetta by introducing several influential operetta composers ' creation .
本文分为两个部分:第一章系统描述了轻歌剧的发展历程,通过对几位重要轻歌剧作曲家的创作情况介绍,将轻歌剧在几个重要国家和地区的繁荣状况呈现在读者面前。
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A person who performs in the operettas of Gilbert and Sullivan .
小歌剧《吉尔伯特和苏勒宛》中的人物。
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Operetta is an important kind of opera , which just flourished in the period of the late 19th century and the early 20th century .
轻歌剧就是繁荣于19世纪末至20世纪初的一种重要歌剧样式。
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His greatest merit was to have worked with it totally , from opera to opo and operetta .
他最大的优点就是全身心投入工作&从歌剧到流行音乐和轻歌剧。
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The author discussed the Fengtai operetta from three aspects , namely , the name , Jiangnan , the trade route which is the play road .
笔者从名称说,江南说,商路即戏路之说三个方面来探讨凤台小戏的起源。
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The Sumerian , however , had little stone available . a person who performs in the operettas of Gilbert and Sullivan .
然而苏美尔人没有石料可以利用。小歌剧《吉尔伯特和苏勒宛》中的人物。
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Regardless of its short-term popularity , operetta manifested a trend from serious opera to popular opera , and played a significant role in connecting traditional opera with musical .
它的流行时间虽然不长,但从整个歌剧的历史来看,轻歌剧却体现出歌剧艺术由严肃到通俗的发展趋势,起着连接传统歌剧和20世纪音乐剧的桥梁作用。
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He founded a theatrical company in1855 , the bouffes-parisiens , which staged many of his operettas , and he managed the company for many years .
1855年,他建立了巴黎歌剧院,这位经历把他自己的很多小歌剧搬上舞台。
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First the formation of composing features is explored with reference to the life experiences of Lehar , the social and cultural background of his age and the development of Viennese operetta ;
首先,本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成;
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Offenbach is a famous operetta master , and was the creator of operetta , a humorous , conventional , and unique entertaining means .
奥芬巴赫是著名的轻歌剧大师,他开创了轻歌剧这样一个幽默通俗、独具特色的新的歌剧形式。
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It preludes the Silver Age of Viennese operetta , enhances the position of dancing and folk music in operetta and diversifies the operetta styles .
它揭开了维也纳轻歌剧银色时代的序幕,提高了舞蹈、民间音乐在轻歌剧中的地位,促使轻歌剧向风格多元化的道路上发展。
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dovetail Gilbert 's skill as a writer dovetailed Sullivan 's talent as a composer , resulting in the famous Gilbert and Sullivan operettas .
吉伯特写作的技巧配合苏利文作曲的才能,产生出著名的吉伯特、苏利文轻歌剧。
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" Die Fledermaus " is an operetta composed by Johann Strauss II and is the treasure of the operettas in Vienna .
轻歌剧《蝙蝠》是十九世纪作曲家约翰·斯特劳斯的一部佳作,是维也纳轻歌剧中的瑰宝。
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The Merry Widow is an excellent work of Franz Lehar , a milestone in the history of Viennese operetta and a gem of the operetta .
《风流寡妇》是雷哈尔的一部佳作,是维也纳轻歌剧发展史上一座里程碑,是轻歌剧中的瑰宝。
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This thesis elaborated from the role system , the role performance , music system and the orchestra instrumental music , stagecraft characteristic several aspects . The sixth part analyzes the plays and the script of the Fengtai operetta .
本文从角色体制、角色表演、音乐体制与乐队器乐、舞台艺术特征几方面来阐述;第六部分分析凤台小戏的剧目与剧本。