galliano

Galliano says he has no recollection .

加利亚诺声称自己完全不记得说过什么。

Compared with the tragic opera of Galliano and McQueen , her subject is more a divertissement .

与加利亚诺和麦昆的悲剧故事相比，吉夫汉的主题更具娱乐性。

Galliano has made dresses for Princess Diana and France 's first lady , Carla Bruni .

Galliano曾为戴安娜王妃和法国第一夫人设计过衣服。

Mr Galliano attributed the breakdown to the excessive demands of a role that found him working on up to 16 collections each year .

加里亚诺把酒后失态归咎于创意总监的超负荷工作强度，重压之下，他每年必须推出的时装系列多达16个。

Then same with the galliano , then finally the grenadine .

再入加利安奴及石榴汁。

The fashion spread will show Kitty modeling the latest autumn and winter designs by John Galliano for the Dior brand , posing with the designer and enjoying a shopping spree in Paris .

HelloKitty将展示时装设计师约翰？加利亚诺设计的“迪奥”最新秋冬装系列，杂志还将刊登HelloKitty与设计师的合影以及她在巴黎尽情采购的情景。

not to mention Mr. Galliano and Mr. Jacobs - only Karl Lagerfeld is still doing double duty ( or triple : at Chanel , Fendi and his own brand ) .

还有加里亚诺和雅格布斯。但是他们都停止了这种身兼两职的工作方式——现在只有卡尔·拉格菲尔德（KarlLagerfeld）还在同时为香奈儿和芬迪（Fendi）工作（并同时打理自己的品牌）。

When John Galliano was fired from Dior in 2011 over anti-Semitic remarks , he attributed his behavior to the pressure of being responsible for two brands ( his own as well as Dior ) .

2011年，约翰·加利亚诺（JohnGalliano）因反犹太言论被迪奥（Dior）解聘时称，自己做出那样的行为是因为同时负责两个品牌（他自己的品牌和迪奥）压力太大。

In their favour , Dior has a reputation for making wedding dresses for the rich and powerful , and designer John Galliano is czar of the sexy , bias-cut gown .

让他们满意的是，迪奥以为富人和有权势的人制作婚礼服装闻名，设计师约翰•加里亚诺（JohnGalliano）崇尚性感、斜体剪裁的服装。

Appointed in 2012 , Mr Simons arrived at Dior amid the chaos of John Galliano 's dismissal after the celebrated designer was filmed embarking on an alcohol-fuelled racist outburst in a Paris bar .

西蒙斯2012年出任迪奥创意总监，当时正逢其前任创意总监约翰加里亚诺（JohnGalliano）因在巴黎某酒吧酒后失态大放种族歧视厥词而遭解聘、从而掀起轩然大波之际。

Designers have likewise been using sartorial semiology as a transformative variable in collections , including Jean Paul Gaultier 's 1993 Hasidic show , Hussein Chalayan 's 1997 chador collection and John Galliano 's " homeless " Dior couture in 2000 .

设计师用缝纫符号学作为时装中变革的语汇，比如让·保罗·高缇耶（JeanPaulGaultier）1993年的Hasidic系列、侯赛因·卡拉扬（HusseinChalayan）1997年的罩袍系列，以及约翰·加利亚诺（JohnGalliano）2000年为迪奥高定推出的“无家可归”系列。

And for the first time , it is not there because of a crisis like John Galliano 's implosion at Dior in 2011 or Alexander McQueen 's suicide in 2010 , occasions that caused momentary soul-searching in the industry , but because of a conscious , articulated decision .

这一次的事不像2011年约翰·加利亚诺（JohnGalliano）在迪奥期间搞出的危机，或是2010年亚历山大·麦昆（AlexanderMcQueen）的自杀，那些事件在业界引起过片刻的深思，高缇耶的放弃是出于深思熟虑，这在业界还是第一次。