蒹葭

《蒹葭》意象的符号学分析

On Semiotics Analysis of the Images in The Reeds

《蒹葭》塑造了追求者及其目标两个独特的形象。

This poem figured two special image , one pursuer , the other object .

深层意境与表层意境：《蒹葭》的审美结构层次分析

Deep Artistic Conception and the Surface One : An Analysis of the Jian Jia 's Aesthetic Structure

《西游记》与中华民族的伟大振兴人是一根有情感的芦苇&《诗经·蒹葭》与中华民族审美情感的历史源流

The Bearing of A Tale of Western Pilgrimage on the Great Rejuvenation of China Human Being Is a Bulrush with Sensibility

第六章从秦文化研究的角度出发，认为《蒹葭》代表了秦文化发展的一次突变，是秦人积极学习周文化的结果。

Chapter six , studying from Qin cultural development , regarding Man Jia as a great change of Qin cultural , which is the result of Qin people learning from Zhou cultural actively .

这一段渐近郊外，河面比东段要开阔，河边或绿树成阴、芳草依依，或蒹葭苍苍、村舍野艇。

Asymptotic on the outskirts of this , the eastern section of the river than to be open , river or tree-Yam , Grass Yiyi , Jianjia or gray , wild cottage the boat .

《诗经.蒹葭》在三百篇中独具一格，其艺术魅力借助符号形成清丽迷朦的意境和内在文化编码来表现诗人的真切的情感、不懈的追求。

The Reeds , to be original in style in the Book of Song , her art fascination with the help of unique images forms fresh but misty prospect and inherent cultures to reflect poets real feelings about untiring pursuing perfection .

马兰的爱情经历，直接体现出传统爱情悲剧中最基本的两个模式&将仲子模式和蒹葭模式，指示着传统的悲剧在其作品中的地位。

The love experience of Malan immediate incarnate a couple of furthest elementary mode in orthodox love tragedy & " Jiangzhongzi 's mode " and " Jianjia 's mode ", and this indicate the status which the orthodox tragic in his novel .