娄烨

娄烨将电影创作看作是播种、孕育与收获的过程，追求电影生命的开豁。

Lou Ye saw the film-making as sowing , nurture and harvest processes .

伴随着创作环境的变化，娄烨用十几年的时间完成了从叙事的学习模仿、大胆尝试到风格成熟的过程。

Accompanied by changes in the environment , Lou Ye had completed the study and the imitation on narration in 10 years .

其中，导演娄烨，以其极具探索风格的电影叙事成为电影界与评论界颇为关注的对象。

Among them , Lou Ye , famous for his narrative style , is quite concerned by the film industry and cultural objects .

娄烨在完成了《周末情人》、《危情少女》等不太成熟但很有个人风格的电影后，他将摄像机转向电影叙事本身。

At this stage , Lou Ye made the very personal style films " Weekend Lover ", " Presumed Innocent Girl " and turned to the film narrative itself .

论文最后总结了娄烨电影的特征，试图解释其电影中一直表达的是对人的内心世界的关注，并且通过这样的关注最终达到关注社会，关于一个时代的目的。

At the end of the paper , Lou Ye film features , attempting to explain its film has been expressed to the inner world of human attention , and through this attention eventually reach concerned about society , about a time purpose .