prose poem

Prose Poem has explored successfully the way of existence and development for pure literary periodical for twenty years .

20年来，《散文诗》成功地探索了纯文学期刊的生存发展之路。

A Cultural Study on the Prose Poem Developed in France

散文诗在法国生成与发展的文化研究

A New Interpretation of Lu Xun 's Prose Poem After Death

鲁迅的散文诗《死后》新解

On the Generic Criticism of Prose Poem The Characteristic of A Class Number

散文诗的文类批评一类数的整除特征

The article is to research and discuss theories on prose poem of a same theme .

本文试图以同题散文诗为研究对象，对它的相关理论进行探究。

On the Similarities and Differences between Prose Poem and Essay

散文诗与杂文异同论

On the Stylistic Characteristics of the Prose Poem

散文诗文体特征论

Effect of loose formation of poetry and prose poem on the novel emergence of the six - Dynasties

诗赋散体化对六朝小说生成的作用

Prose poem is an independent style in poetry , which includes all poems written in prose .

散文诗是一种独立的、自成体制的文体（诗体）类型，在它宽阔的光谱带上涵括了一切用散文写的诗。

Otherwise , Get away & Interpreting Lu Xun 's Prose Poem Tombstone Inscription

否则，离开&鲁迅散文诗《墓碣文》破解

Origin of Prose Poem Style

散文诗文体溯源与考辨

On the Generic Criticism of Prose Poem

散文诗的文类批评

The spiritual core of Lu Xun 's prose poem Kite is repenting consciousness .

鲁迅的散文诗《风筝》的精神内核是忏悔意识。

On the Three Rebirth Undercurrent of Prose Poem during Cross-century

试论世纪之交散文诗的三股新生潜流

He is at present vice-chairman of Guangdong Prose Poem Academy and compiler of poetry New Lessons From the States .

现为广东散文诗学会副会长、北京《新国风》诗刊编委。

Therefore , it is inappropriate to call fu prose poem or translate fu into poetical essay .

因此称赋为散文诗或译赋为poeticalessay都是不准确的。

Prose poem had played an important role in Chinese modern literature from the 1920s to the 1930s , but it was always neglected .

尚未得到足够重视的散文诗是二、三十年代现代文学中不可忽略的存在。

Nirvana of Spirit and Transcendence Orientation of Life & Rereading the Prose Poem " Snow " of Lu Xun ;

精神的涅盘飞升与生命的超越性指向&重读鲁迅的散文诗《雪》

Two Kinds of Perverse Anti-forms about Revenge in the Spirit & Another kind of reading about prose poem Revenge of Lu Xun

精神复仇的两种悖反形式&鲁迅的两篇同名散文《复仇》的另一种解读

Therefore the style of prose poem has a special origin and value , and the western prose poem is more prosified than poetic .

因此，散文诗文体具有特殊的起源和价值，西方散文诗具有散文味较诗味浓的文体特点。

The answer to explaining this link can be found in his long prose poem Eureka . They become infinite individualization in his spiritual world .

在他的长篇散文诗《我发现了》中可以找到阐释这种联系的答案，他们是他自身精神宇宙的无限个体化。

A Refutation on " FU is a Type of Prose Poem " & Based on Western Scholars ' Translation of FU into Poetical Essay etc

赋即散文诗辩&由欧美学者译赋为poeticalessay等谈起

The writing method of the two date trees at the beginning of Lu Xun 's prose poem " Night of Fall " has been causing continuous comments for quite a long time .

鲁迅散文诗《秋夜》开头的两株枣树的写法，长期以来引起人们不断议论。

The prose poem " snow " by Luxun consists of three groups of images_rain in the warm region , snow in the south and it in the north .

鲁迅先生的散文诗《雪》，包含了“暖国的雨”、“江南的雪”、“朔方的雪”三组意象。

Have modem symbol of sense image " weeds " basic orientation of thinking , to traditional natural break-through of image very much , not only has formed the new image to point to but also determined the modernity of this prose poem .

极具现代感的象征意象是《野草》思维的基本取向，对传统自然意象的突破，不仅形成了新的意象指向，也决定了这部散文诗的现代性。

There are two pieces of prose poem with the same title revenge in weeds , and the two prose poems don 't record the real revenge of the tooth with the tooth , but revenge in the spirit at the difficult position and in give up all hope .

鲁迅的散文诗集《野草》中的两篇以《复仇》命名的同题散文，记写的不是以牙还牙的复仇行为，而是表达了困境与绝望中的精神报复之意。

Novel and prose , poem and drawing between suit .

小说与散文、诗歌、绘画之间的整合。

The third section is the harmony blends of his prose 、 poem 、 calligraphy and painting creation method .

第三节写了郑板桥散文与诗书画创作方法的和谐交融。

Tao Yuanming 's " take prose as poem " firstly is a method of writing , a technique of poetic art expression , and has no relationship with the " movement " .

陶渊明的以文为诗首先是一个写作方法问题，是诗歌艺术表现手法，跟运动不运动实在是没有什么关系！

Tao Yuanming wanted to express the real feeling and real circumstance in life , and " take prose as poem " as an artistry is natural and plain , without polishments , complying with his demands .

陶渊明要表达的是现实人生中的真情、真境，而“以文为诗”作为一种艺术手法，自然朴实，无需雕饰，正好应和了陶渊明的这种需求。